Eclectic Magazine of Foreign Literature, Science, and Art, January 1885 — John Shaqi
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885
Various
American literature -- Periodicals; Literature -- Periodicals
After all, the present strait of optical astronomy is but the
inevitable consequence of its astonishing progress. While instruments
remained feeble and imperfect, atmospheric troubles were comparatively
little felt; they became intolerable when all other obstacles to a vast
increase in the range of distinct vision were removed. The arrival of
that stage in the history of the telescope, when the advantages to be
derived from its further development should be completely neutralised
by the more and more sensibly felt disadvantages of our situation on an
air-encompassed globe, was only a question of time. The point was a
fixed one: it could be reached later only by a more sluggish advance.
Both the difficulty and its remedy were foreseen 167 years ago by the
greatest of astronomers and opticians.
“If the theory of making telescopes,” Sir Isaac Newton
wrote in 1717,[31] “could at length be fully brought into
practice, yet there would be certain bounds beyond which
telescopes could not perform. For the air through which we
look upon the stars is in a perpetual tremor as may be seen
by the tremulous motion of shadows cast from high towers,
and by the twinkling of the fixed stars. The only remedy is
a most serene and quiet air, such as may perhaps be found
on the tops of the highest mountains above the grosser
clouds.”
—_Edinburgh Review_.
GOETHE
BY PROF. J. R. SEELEY.
III.
The highest rank in literature belongs to those who combine the
properly poetical with philosophical qualities, and crown both with a
certain robust sincerity and common sense. The sovereign poet must be
not merely a singer, but also a sage; to passion and music he must add
large ideas; he must extend in width as well as in height; but, besides
this, he must be no dreamer or fanatic, and must be rooted as firmly
in the hard earth as he spreads widely and mounts freely towards the
sky. Goethe, as we have described him, satisfies these conditions, and
as much can be said of no other man of the modern world but Dante and
Shakspeare.
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