Eclectic Magazine of Foreign Literature, Science, and Art, January 1885 — John Shaqi
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885Various
General
Eclectic Magazine of Foreign Literature, Science, and Art, January 1885
Various
American literature -- Periodicals; Literature -- Periodicals
He grasps it in the rough unceremonious manner of one who means
business, and also in the manner which Rousseau had made fashionable.
We have desires given us by God or Nature, convertible terms to him;
these desires are meant to receive satisfaction, for the world is not
a stupid place, and the Maker of the world is not stupid. This notion
that human life is not a stupid affair, and that the fault must be ours
if it seems so, that for everything wrong there must be a remedy,[35]
is a sort of fundamental axiom with him, as it is with most moral
reformers. Even when he has death before his mind he still protests.
“‘He is no more!’ Ridiculous! Why ‘no more?’ ‘It is all over.’ What
can be the meaning of that? Then it might as well never have existed.
Give me rather an eternal void.” And this way of thinking brings him at
once, or so he thinks, into direct conflict with the reigning system
of morality, which is founded not on the satisfaction, but on the
mortification of desire. He declares war against the doctrine of
self-denial or abstinence. “Abstain, abstain!—that is the eternal
song that rings in every ear. In the morning I awake in horror, and am
tempted to shed bitter tears at the sight of day, which in its course
will not gratify one wish, not one single wish.” So speaks Faust, and
Goethe ratifies it in his own person, when he complains that, “we are
not allowed to develop what we have in us, and are denied what is
necessary to supply our deficiencies; robbed of what we have won by
labor or has been allowed us by kindness, and find ourselves compelled,
before we can form a clear opinion about it to give up our personality,
at first in instalments, but at last completely; also that we are
expected to make a more delighted face over the cup the more bitter it
tastes, lest the unconcerned spectator should be affronted by any thing
like a grimace.” He adds that this system is grounded on the maxim
that “All is vanity,” a maxim which characteristically he pronounces
false and blasphemous. That “all is _not_ vanity” is indeed almost the
substance of Goethe’s philosophy. “His faith,” so he tells the Houri
who, at the gate of Paradise, requires him to prove his orthodoxy, “has
always been that the world, whichever way it rolls, is a thing to love,
a thing to be thankful for.”[36]
Public-domain text, read in full here on John Shaqi.
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