Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Various
American literature -- Periodicals; Literature -- Periodicals
“Then don't talk any more about your motto, _A chacun le produit de
son travail_. If you adopt this principle you must adopt also its
consequences, whether you like them or not. If, according to your
system, you admit to every one the right of disposing of the fruit of
his labor, you must admit the right to receive as well as to give.
Where the worker is master of his own property it depends on him
whether he will create a _rentier_, and you cannot prevent him except
by decreeing that he is incapable of disposing of what belongs to
him. Beware of what must happen otherwise. If in your new society you
prevented parents from giving or leaving to their children the property
they have amassed, there would be risk of their amassing far less or
of dissipating what they had already been able to accumulate by their
industry and thrift, which would be a great loss for all. We must
allow, in fact, and it is to the honor of human nature, that there are
very many in this world who work more and save more for their children
and for others rather than for themselves.”
“Well, sir, if in my new society there must eventually be rich
and poor, workers and non-workers: if the portion of each is not
necessarily proportioned to their labor then how, I wish to know, would
this new society which I have taken such trouble to plan and organise,
how would it differ from the society in which we now live?”
“In nothing at all, my good friend, and this it just what I wished to
demonstrate to you. You see that the world in which we live is, after
all, not so badly organised, seeing that the new one which you have
tried to create on better principles, as you imagined, turns out, at
the end of the account, to be an exact reproduction of the existing
system.”—_Leisure Hour._
BEHIND THE SCENES.
BY F. C. BURNAND.
Public-domain text, read in full here on John Shaqi.
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