During the past year there has been a considerable amount of discussion, within the circumference of a comparatively inconsiderable circle, as to the social position of the professional actor. It is a subject that crops up from time to time, attracting more or less attention to itself, from those outside the boundary, according to whatever may happen to be the prevalent artistic development, or the latest fashionable craze. The tone of the disputants and the weight of their individual character must, of course, be taken into account. The actor is of all professors of any kind of art the one who is most before the public. The result of his study is ephemeral: “he struts and frets his hour upon the stage and then is heard no more,” though nowadays the strutting and fretting are not by any means limited to the hour upon the stage; and at the present time there seems to be some anxiety on the part of the children of Thespis to obtain such an authoritative definition of their status, as shall put their position in society above all question, by placing them on a level with the members of the recognised professions. It is asserted that the professional actor is far differently situated now from what he was fifty, or even thirty years ago. Actor and actress are, it is pointed out, received everywhere, petted, fêted, lionized, and made much of; our young men of birth and education but of limited purse, take to the stage, professionally, as a honorable means of earning their livelihood, just as the youngest son of a good, but impoverished family, used to be sent into the Church in order to hold a family living. Further, it has been said that for our young ladies to go on the stage is not now considered, as heretofore, a disgrace, but, on the contrary, rather a plume in their bonnet. Altogether it may be fairly inferred that there has recently been a movement theatrewards, favorable to the social prospects of the professional actor. But has it been anything more than this? Is the actor's calling one whit nearer being recognised as on a social equality with the regular professions than it was fifty years ago? Throughout this article I shall use the word “society” in its widest and most comprehensive acceptation, except of course where its limitation is expressly stated. A “status in society” means a certain standing among one's fellow subjects, fixed by law, recognised by traditional usage, and acknowledged by every one, from the highest to the lowest. Formerly, it must be admitted, that as one of the “rogues and vagabonds” by Act of Parliament the actor, _quâ_ actor, had no more status in society than the professional beggar with whom he was unjustly classed. “The strolling tribe, a despicable race, Like wandering Arabs, shift from place to place.”