Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Various
American literature -- Periodicals; Literature -- Periodicals
There is a striking contrast between the career of Coleridge and that
of his friend Wordsworth. Fellows in the opening of their poetic
course, they soon diverged widely. With a true instinct, Wordsworth
devoted himself, in quietness and seclusion, to the cultivation
of his poetic faculty. He left aside the world of politics and of
religious thought, strongly moved as he had been by the interests of
both. It may be said that Wordsworth continued a religious thinker
as well as poet all his life. And to some extent this is true. The
“Wanderer” is a preacher and not only a singer. He goes to the heart
of religion, and lays again its foundations in the natural instincts
of man. But while Wordsworth's poetry was instinct with a new life of
religious feeling, and may be said to have given a new radiancy to its
central principles,[2] it did not initiate any movement in Christian
thought. In religious opinion Wordsworth soon fell back upon, if he
ever consciously departed from, the old line of Anglican traditions.
The vague Pantheism of the _Excursion_ implies rather a lack of
distinctive dogma than any fresh insight into religious problems or
capacity of co-ordinating them in a new manner. And so soon as definite
religious conceptions came to the poet, the Church in her customary
theology became a satisfactory refuge. The _Ecclesiastical Sonnets_
mark this definite stage in his spiritual development. Wordsworth
did for the religious thought of his time something more and better
perhaps than giving it any definite impulse. While leaving it in
the old channels, he gave it a richer and deeper volume. He showed
with what vital affinity religion cleaves to humanity, in all its
true and simple phases, when uncontaminated by conceit or frivolity.
Nature and man alike were to him essentially religious, or only
conceivable as the outcome of a Spirit of life, “the Soul of all the
worlds.”[3] Wordsworth, in short, remained as he began, a poet of a
deeply religious spirit. But he did not enter the domain of theological
speculation or attempt to give any new direction to it.
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