"Keep the room nice and neat," he said to Franzl. "It is always neat,"
she answered, with pardonable indignation. Lenz could not explain that
he wanted it particularly nice because he was every moment expecting
Annele and her mother to see and hear the musical clock before it was
sent to Russia. When she came, he would ask her plainly what foundation
there was for the stories about herself and the engineer. He must ask,
though he felt he had no right. Then he should know on what terms he
might stand with her.
Day after day went by, and still no Annele came. Lenz often passed the
Lion without going up, finally without even looking up.
CHAPTER XI.
THE GREAT MUSICAL CLOCK PLAYS ITS OLD PIECES,
AND HAS NEW ONES ADDED.
The report that the famous Magic Flute, the great musical clock of Lenz
of the Morgenhalde, would start in a few days for its place of
destination in Russia, set the whole valley in a ferment. A perfect
pilgrimage began to Lenz's house. Every one was anxious to admire this
noble work once more, before it disappeared forever. Franzl had as much
as she could do to welcome the guests, shake hands with them,--wiping
her hands first on her apron every time,--and usher them into the
sitting-room. There were not chairs enough in the house to seat them
all. Even Uncle Petrovitsch came, and with him not only Bubby, which
was a matter of course, but Ibrahim, the old man's companion at cards,
who was said to have turned Turk during his fifty years' absence from
home. The two old men said little. Ibrahim sat smoking a long Turkish
pipe, motionless except for an occasional contraction of his eyebrows;
while Petrovitsch was as constant in his attendance upon him as Bubby
in attendance upon his master. Ibrahim was the only human being who
possessed any influence over Petrovitsch, and he preserved it only by
never exercising it. He shook off all applicants who hoped through him
to gain access to the rich man. They played cards together every
evening, cash down. Petrovitsch was stirred to special activity and
officiousness by Ibrahim's imperturbable tranquillity, and now seemed
desirous of doing the honors of his old homestead. He stood by the
work-bench during the playing of a long piece, and amused himself with
observing the tools which lay upon it, as well as those hanging upon
the wall. At last he took down the familiar file with the well-worn
handle. "Was not this his file?" he said to Lenz, when the piece was
ended.
"Yes, my poor father's."
"I will buy it of you."
"You are not in earnest, uncle. You know I could not sell it."
"Not to me?"
"Not even to you,--begging your pardon."
"Give it to me, then, and let me give you something in return."
"I hardly know how to answer you, uncle. Really, I cannot let it go out
of the house."
"Stay there then," he said to the unconscious tool, as he returned it
to its place; and shortly after he and Ibrahim went down the hill.
Public-domain text, read in full here on John Shaqi.
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