The houses and the church, which stood at that end of Trennach, were
soon left behind; and Frank Raynor was on the wide tract of land which
was called the Bare Plain. The first break he came to in its bleak
monotony was a worked-out mine on the left. This old pit was
encompassed about by mounds of earth of different heights, where
children would play at hide-and-seek during the daylight; but not one
of them ever approached the mouth of the shaft. Not only was it
dangerous, from being unprotected; and children, as a rule are given
to running into danger instead of avoiding it; but the place had an
evil reputation. Some short time ago, a miner had committed suicide
there: one Daniel Sandon: had deliberately jumped in and destroyed
himself. Since then, the miners and their families, who were for the
most part very superstitious and ignorant, held a belief that the
man's ghost haunted the pit; that, on a still night, any one listening
down the shaft, might hear his sighs and groans. This caused it to be
shunned: scarcely a miner would venture close to it alone after dark.
There was nothing to take them near it, for it lay some little
distance away from the broad path that led through the centre of the
Plain. The depth of the pit had given rise to its appellation, "The
Bottomless Shaft:" and poor Daniel Sandon must have died before he
reached the end. For any one falling into it there could be no hope:
escape from death was impossible.
Frank Raynor passed it without so much as a thought. Keeping on his
way, he came by-and-by to a cluster of miners' dwellings, called Bleak
Row, lying on the Plain, away to the right. Not many of them: the
miners for the most part lived on the other side the village, near the
mines. Out of one of the best of these small houses, there chanced to
come a girl, just as he was approaching it; and they met face to face.
It was Rosaline Bell.
Never a more beautiful girl in the world than she. Two-and-twenty
years of age now, rather tall, with a light and graceful form, as easy
in her movements, as refined in her actions as though she had been
born a gentlewoman, with a sweet, low voice and a face of delicate
loveliness. Her features were of almost a perfect Grecian type; her
complexion was fresh as a summer rose, and her deep violet eyes
sparkled beneath their long dark lashes. Eyes that, in spite of their
brightness, had an expression of settled sadness in them: and that sad
expression of the eye is said, you know, only to exist where its owner
is destined to sorrow. Poor Rosaline! Sorrow was on its way to her
quickly, even now. Her dress was of some dark stuff, neatly made and
worn; her bonnet was of white straw; and the pink bow at her throat
rivalled in colour the rose of her cheek.
Public-domain text, read in full here on John Shaqi.
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