Edinburgh: Painted by John Fulleylove; described by Rosaline Masson — John Shaqi
Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
The moon passed out of Holyrood, white-lipped, to open sky;
The night wind whimpered on the Crags to see the ghosts go by;
And stately, silent, sorrowful, the lonely lion lay,
Gaunt shoulder to the Capital and blind eyes to the Bay.
WILL H. OGILVIE.
There are two Holyroods--Holyrood Abbey, dating back to the twelfth
century, and founded by David I.; and Holyrood House, the palace of the
Stuarts, dating from fully three centuries later. The Abbey had always
contained royal apartments, and had been a place of royal residence in
turn with the Castle; and so it was natural that the tradition should be
retained, and the royal palace built in connection with the splendid old
Abbey. Of the once great and wealthy Abbey of Holyrood only a ruined
fragment remains, open to the sky; and of the palace only part of the
large sixteenth-century royal residence remains, included in a smaller
seventeenth-century building.
[Illustration: EDINBURGH FROM THE CASTLE
In the foreground of the picture are the embrasured battlements of the
Argyle Battery, at the end of which, over the steps, rises the spire of
Tolbooth Church. On a lower level of the Castle, to the spectator’s
left, is an iron cage used for beacons. Above this cage and facing the
Mound are the Royal Institution and National Gallery, and immediately
above the latter is the Scott Monument. The row of trees fronting the
tall buildings denote the position of Princes Street running east
towards Calton Hill, which appears crowned by the Nelson Monument and
backed by the Firth of Forth exactly in the centre of the picture. To
the right of Calton Hill on the distant horizon appears the Bass Rock,
to the left the coast of Fife with a portion of the island of
Inchkeith.]
Public-domain text, read in full here on John Shaqi.
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