Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
In August 1503 she was brought to Scotland, with a train of knights and
nobles, and James rode as far as Dalkeith to meet her, “gallantly
dressed in a jacket of crimson velvet bordered with cloth of gold.”[12]
Before the procession entered the city the King mounted in front of his
bride on her palfrey--his own charger being too restive to bear a double
burden--and so they rode into the decorated and expectant capital, where
the people filled the windows, and gaily dressed ladies thronged the
“fore-stairs”--open stairways outside the houses,--and all shouted or
waved their loyalty and their welcome. Tournaments and shows took place;
and, when they were alone, the king played to the little princess on the
virginal, and
[Illustration: HOLYROOD PALACE FROM THE PUBLIC GARDENS UNDER CALTON HILL
Holyrood Palace stretches across the picture east and west, and is
dominated by Arthur’s Seat and Salisbury Crags. The dark turret at the
west end of the nearest and north wing contains the private supper-room
of Queen Mary, the room from which the Italian Rizzio was taken to his
death. The end of the south wing shows beyond, and through a gap in the
mean buildings, occupying the foreground of the picture, is seen the
open space in front of the Palace, the restored fountain, and the
entrance to a carriage road called the Queen’s Drive. The conical roofs
of the towers of the Guard House appear to the extreme right. The gable
and east window of the Chapel Royal (part of the ancient Abbey),
together with the tower, show at the eastern extremity of the north
wing.]
then listened with bent knee and bared head whilst she sang and played
to him. The marriage took place at Holyrood with much magnificence; and
Dunbar the Laureate wrote “The Thristle and the Rois.” All this life and
poetry and splendour glowed in Holyrood, in a braver and a warmer time
than ours,--perhaps the brightest age Edinburgh has known. Little wonder
that Dunbar pitied his royal master when he had to leave it even for a
visit to Stirling, and wrote greeting to him from--
We that here in Hevenis glory
* * * * *
I mean we folk in Paradyis
In Edinburgh with all merriness.
Public-domain text, read in full here on John Shaqi.
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