Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
The palace of Holyrood adjoining the Abbey was built round a great
square court, with a towered and pinnacled frontage facing a huge outer
courtyard separating the palace precincts from the fringes of the town,
and at the back meeting the Abbey. The whole palace and its extensions
and smaller courts were set in walled grounds, stretching to the base
of Arthur’s Seat. These included pleasure gardens, plantations, and
buildings, among which was the quaint building still called “Queen
Mary’s Bath.” The north-west corner of the palace proper terminated in a
turreted tower which contained Queen Mary’s rooms, and this tower,
rebuilt by James V. on the foundations of James IV.’s building, still
forms part of the modern Holyrood, and in it, to-day, Mary’s life stands
revealed. In these rooms she moved and smiled, spoke and wept. Here it
was that she tried, with her beauty and her wit and her courtesy and her
wonderful power of forbearance, to soften her rude nobles and turn their
harsh disapproval into loyalty. Here, in the audience chamber, the first
two of her famous interviews with John Knox took place. In Queen Mary’s
day most of the ground now devoted to the formal grass and gravel of
unused palace gardens was covered by the great Abbey. It was at the High
Altar of this Abbey, where the Royal Jameses had led their very youthful
brides, that Queen Mary, dressed in a robe of black velvet, was married,
between five and six o’clock one Sunday morning in July, to her cousin
Lord Darnley, a dissipated boy of nineteen. It was in the tiny little
room leading off the Queen’s room, where the lifted tapestry still shows
the entrance to the secret stair between her room and Darnley’s, that
she sat at supper on the night of Riccio’s murder. With her were her
sister the Countess of Argyle, and several of the Household, including
the lay Abbot of Holyrood, and the Queen’s Secretary, the doomed Riccio.
Darnley entered and seated himself. At that signal suddenly there broke
in upon them the brutal Lord Ruthven, followed by the other assassins,
and seized the Italian favourite who was clinging to the Queen’s skirts
for protection and crying “Sauve ma vie, Madame! sauve ma vie!” The
table was thrown down on the Queen as they struggled, and one of the
murderers levelled a pistol at her. They dragged the bleeding body out,
across the Queen’s bedroom to the entrance of the presence chamber,
where they despatched him with “whingers and swords,” and the blood from
his fifty-six wounds soaked through the wooden floor. All that night the
outraged Queen was a captive in her own palace, whence the Earls of
Bothwell and Huntly had escaped by ropes from the back windows. The
Provost and town “caused ring their common bell,” and came to see to the
safety of their Queen; but the Queen was told by her lords, her
husband’s accomplices, that they would “cut her into collops and cast
her over the wall if she attempted to speak to them.” All this a few
Public-domain text, read in full here on John Shaqi.
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