Edinburgh: Painted by John Fulleylove; described by Rosaline Masson — John Shaqi
Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
[Illustration: THE CHURCH OF ST. GILES FROM THE LAWNMARKET
The statue of the Duke of Buccleuch shows immediately under the tower of
the Cathedral, backed by the modernised west end of the building.
Farther down the High Street, to the east, is the Tron Church, while to
the right of the picture is a portion of the new County Hall. On the
extreme left is the entrance from Lawnmarket to Baxter’s Close, where
Burns once lodged. (See “Lady Stair’s Close.”)]
of a chapel at Holyrood. The Regent Albany founded chapels[23]; and
storks built nests in the roof. Every one seemed busy building in the
church.
In 1454 William Preston of Gorton bequeathed to St. Giles’s a
much-prized relic--“the arm-bone of Sanct Gele,” which he had procured
from France; and the Provost and magistrates built the “Preston Aisle”
as a mark of gratitude, with “a brass for his lair,” and a chaplain “to
sing at the altar from that time forth”; and the male representative of
the Preston family, until the Reformation, bore the sacred relic in all
processions.
In 1467 St. Giles’s was transformed from a parish church into a
collegiate church, having a Provost, a perpetual Vicar having care of
souls, a minister of the choir, fourteen canons or prebendaries, a
sacristan, a beadle, a secular clerk, and four choristers taught by the
best-qualified canon. By the time St. Giles’s became a collegiate
foundation it was rich in chaplainries and altarages; and afterwards
there were many more endowments. Each trade that formed into a Guild
maintained its own altar; and, as these Guilds were rich, this was a
great source of wealth. The last endowment before Flodden was an annuity
of twenty-three merks from Walter Chepman, the earliest Scottish
printer, to found a chaplaincy at the altar of St. John the Evangelist.
This was confirmed by charter of James IV., on the 1st of August
1513--eight days before Flodden.
Ah, the summer days of Edinburgh in the year 1513! The King reading the
poems of his Franciscan friar Dunbar, printed by the honoured and pious
Chepman, who endowed the altars of St. Giles’s, where the young
Poet-Provost, of the proud race of Douglas, walked at the end of the
chanting procession amid the stone pillars, and went home afterwards to
turn Virgil into Scottish verse....
Gavin Douglas had been made Provost by James IV. in 1501, when he was
but twenty-six, and it was whilst he was living in the Provost’s
dwelling, bounding the west side of the churchyard (where Parliament
House now stands), that he wrote _The Palace of Honour_ and _King Hart_,
and turned Virgil’s _Æneid_ into the vernacular. Gavin Douglas was the
third son of that grim old statesman, the Earl of Angus, who had earned
the sobriquet of “Archibald Bell-the-Cat” on the day when the haughty
Scottish nobles hanged all James III.’s plebeian favourites over the
bridge at Lauder.
Son of mine,
Save Gawain, ne’er could pen a line,
Public-domain text, read in full here on John Shaqi.
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