Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
When the deep-laid schemes of Charles I. “went agee,” the Presbyterians
held undisputed possession of the Church of St. Giles. It was during
this time that Sir John Gordon of Haddo, a Royalist, was imprisoned in
the “Priest’s Chamber,” afterwards known as “Haddo’s Hole.” But, when
Cromwell entered Edinburgh after the battle of Dunbar, the town was
flooded with English Independents,--all manner of sects,--who preached
in St. Giles’s Church and harassed the Presbyterians more than ever
either Roman Catholics or Episcopalians had done, until even the General
Assembly itself was prohibited by them from meeting in the church, and
“It must have been a curious spectacle to see these gentlemen marched
out of St. Giles’s by a band of fanatics more fanatical than
themselves.”[31] So, when there came the Restoration of 1660, and
Charles II. promised all that the Presbyterians asked, there was general
rejoicing, and feasting at the City Cross, and after the Lord Provost
and magistrates had “turned up their spiritual thanks to Heaven for so
blessed an occasion,” they “in a most magnificent manner regaled
themselves with those human lawful refreshment which is allowable for
the grandeur of so eminent a blessing.”[32] And even Jenny Geddes, it is
told, contributed her creels and her creepies to help form a bonfire.
But the Covenanters were to learn not to put their faith in
princes--especially in princes coerced to their faith. On the 11th of
May 1661, the head of the gallant Royalist, the Marquis of Montrose, was
taken down from its spike on the Tolbooth, and his mutilated remains
were gathered, and buried in St. Giles’s with pomp and pity by Wishart,
who had been his chaplain, and who, a year later, was consecrated Bishop
of Edinburgh. When the poor persecuted Covenanters taken at Rullion
Green were imprisoned in Haddo’s Hole and treated with barbarous
severities, it was this Wishart who fed them and did all he could to
obtain mercy for them,--this Wishart, who had himself suffered so much
at the hands of Covenanters that to his dying day he bore the marks on
his face of the rats who “had been like to devour” him in his loathsome
dungeon.[33]
It is pleasant to turn from all the stormy and tragic memories of man’s
inhumanities to man to the pretty and peaceful fact that in the spring
of 1700 there were hung in the steeple of St. Giles’s “a good and
sufficient cheme or sett of musical bells, according to the rules of
musick, for the use of the good toun of Edinburgh.” Was this the peal
that continued faithfully to jangle--
’Twas within a mile of Edinburgh toun,
In the rosy time o’ the year,
until, by reason of age, the jangling grew fitful, with little pauses
and blanks of silence, like a pulse that is beating out its last of a
long and busy life?...
Public-domain text, read in full here on John Shaqi.
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