Edinburgh: Painted by John Fulleylove; described by Rosaline Masson — John Shaqi
Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
Edinburgh, before the sudden extension of its boundaries at the end of
the eighteenth century, was thus a small, compact city, measuring in its
proudest days but a mile in length and a half mile in width; but,
though it was small, it was densely populated. Bounded in its growth by
deep ravines and by a wall and a great loch--defences against the
English--it extended itself in the only way it could, upwards towards
the sky, whence it need fear “no enemy, but winter and rough weather.”
Some of the highest houses in old Edinburgh were like vertical streets,
with a spiral “common stair”; and they contained from floor to roof
almost as many families as would a street in another town. The richer
and better-born citizens lived in the most comfortable “flats,” and
their poorer neighbours carried on their lives and their trades below
them; by which means all ranks and sorts of persons were jostled
together in a cosy, sociable “hugger-mugger” existence, quite
incomprehensible to the modern citizen.
The nobles of Scotland, before the Union drew them away to London, had
their fine old town residences in Edinburgh--the “lands”[35] bearing
their names. These were generally within closes, “obscurely founded in
the aforesaid lanes,” as Taylor has it; but many were in the Cowgate, a
fashionable suburb, or in the Canongate, which, being nearest Holyrood,
was the court end of the city. It is down this “fairest and goodliest
streete” that the tourist of to-day drives from the Castle to Holyrood,
or up from Holyrood to the Castle. The driver will point with his whip
at a gabled house standing forward into the street, and tell him it is
John Knox’s house. At the Church of St. Giles he will probably stop the
cab and descend, and, finding the door locked, will wander round the
building and gaze down at the heart marked on the stones where once
stood the Tolbooth, and at the initials I. K. where Knox is supposed to
be buried, though another version has it that his grave is below the
equestrian statue of Charles II. And so he will find himself in the
precincts of Parliament House, built on ground which in past ages was
the graveyard of the parish church. If he enter and have a glimpse of
the great hall filled with lawyers in their wigs and gowns, strutting
and fretting their hour as past generations did in their time, and as
future generations will do in theirs, then he will probably let his mind
rest upon Sir Walter Scott, the greatest of them all. And so his day in
Edinburgh will leave him with a confused impression of a long squalid
street full of draggled women and barefooted children, of groups of
soldiers from the Castle, of carts and cries, of open “fore-stairs” and
street wells, of ancient gabled roofs and of flapping garments hung out
of windows on poles to dry, of pious legends and obliterated carvings,
of an appalling number of drunken men, and of dark entries giving
glimpses of tortuous obscurities, or leading steeply down some narrow
Public-domain text, read in full here on John Shaqi.
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