Editorials from the Hearst NewspapersBrisbane, Arthur
Philosophy
Editorials from the Hearst Newspapers
Brisbane, Arthur
Editorials; Essays
There are thousands of young musicians, young business men, young
singers, young electricians--thousands and hundreds of thousands
of human beings engaged in all kinds of effort in all directions.
ALL OF THEM ARE DISCONTENTED. Those that have the right kind of
discontent will go at least as far as their natural capacity can
take them, and those that have the wrong kind will collapse,
achieve nothing and devote wasted lives to wasting pity on
themselves. ----
Try to acquire the discontent of Alexander, Carlyle, Pagallini,
Taglioni, or even that of the honest bootblack who "shines them
up" so hard that the perspiration comes through his check jumper
in cold weather.
WHAT THE BARTENDER SEES
A young man with a cold face, much nervous energy and a
tired-of-the-world expression leans over the polished,
silver-mounted drinking bar.
You look at him and order your drink.
You know what you think of him, and you think you know what he
thinks of you.
Did you ever stop to think of ALL THE STRANGE HUMAN BEINGS
besides yourself that pass before him?
He stands there as a sentinel, business man, detective, waiter,
general entertainer and host for the homeless.
In comes a young man, rather early in the day.
He is a little tired--up too late the night before. He takes a
cocktail. He tells the bartender that he does not believe in
cocktails. He never takes them, in fact. "The bitters in a
cocktail will eat a hole through a thin handkerchief--pretty bad
effect on your stomach, eh?" and so on.
Out goes the young man with the cocktail inside of him.
And the bartender KNOWS that that young man, with his fine
reasonings and his belief in himself, is the confirmed drunkard
of year after next. He has seen the beginning of many such
cocktail philosophers, and the ending of the same.
The way NOT to be a drunkard is never to taste spirits. The
bartender knows that. But his customers do NOT know it. ----
At another hour of the day there comes in the older man. This
one is the fresh-faced, YOUNG oldish man.
He has small, gray side-whiskers. He shows several people--whom
he does not know--his commutation ticket.
He changes his mind suddenly from whiskey to lemonade. The
bartender prepares the lemon slowly, and the man changes his mind
back to whiskey.
Then he tries to look more dignified than the two younger men
with him. In the midst of the effort he begins to sing "The
Heart Bowed Down with Weight of Woe," and he tells the bartender
"that is from 'The Bohemian Girl.'"
He sings many other selections, occasionally forgetting his
dignity, and occasionally remembering that he is the head of a
most respectable home--partly paid for.
The wise man on the outside of the bar suggests that the oldish
man will get into trouble. But the bartender says: "No; he will
go home all right. But he won't sing all the way there. About
the time he gets home he'll realize what money he has spent, and
you would not like to be his wife."
Public-domain text, read in full here on John Shaqi.
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