towns divided these phases of the mystery plays among themselves. Every one had an opportunity to do something. They were the tanners and the plasterers, the cardmakers and the fullers, the coopers, the armorers, the gaunters and glovers, the shipwrights, the pessners, fishmongers and mariners, the parchment-makers and bookbinders, the hosiers, the spicers, the pewterers and founders, the tylers and smiths, the chandlers, the orfevers, the goldsmiths, the goldbeaters, the money-makers, and then many other trades whose names sound curious to us of {182} the modern time. The bowyers or makers of bows; the fletchers or arrow featherers; the hay-resters or workers in horsehair, the bowlers or bowlmakers, the feystours, makers of saddle-trees; the verrours, glaciers; the dubbers, refurbishers of clothes; the lumniners or illuminators, the scriveners or public writers; the drapers, the mercers; the lorymers or bridle-makers; the spurriers, makers of spurs; the cordwaners; the bladesmiths; the curriers; the scalers, and many others, all had their chances to take part in these old plays. [Footnote 14: Catholic Summer School Press, New York, 1907.] They were not being entertained, but were themselves active agents in the doing of things for themselves and for others. This is what brings real contentment with it. Superficial entertainment that occupies the surface of the mind for the moment means very little for real recreation of mind. What men need is to have something that makes them think along lines different to those in which they are engaged in their daily work. This gives real rest. The blood gets away from parts of the brain where it has been all day, flows to new parts, and recreation is the result. Such entertainment, however, must occupy the very centre of interest for the moment and not be something seen in passing and then forgotten. The modern psychotherapeutist would say, that no better amusement than this could possibly be obtained since it brought real diversion of mind. Above all, we of the modern time who know how vicious, how immoral in its tendencies, how {183} suggestive of all that is evil, how familiarizing with what is worst in men until familiarity begets contempt, commercial entertainment in the shape of dramatics, so-called at least, may be, cannot help but admire and envy and would emulate, if we could, this fine solution of a very pressing social problem that the gilds found in an educational feature that is of surpassing value.