The social conditions which developed at Rome are indeed so strangely like those with which we are now familiar as to be quite startling. As a mere man I should hesitate to suggest this, since it refers particularly to feminine affairs and domestic concerns, but since it has been betrayed by one of the sex perhaps I may venture to quote it. Once more I turn to Mrs. Putnam for an apt expression of the conditions. She says: "The Greeks, who, to be sure, had nothing in their dwellings that was not beautiful, had still supposed the great works of art were for public places. With the Romans began the private collection of chefs-d'oeuvre in its most snobbish aspect. The parts played by the sexes in this enterprise sometimes showed the same division of labor that prevails very largely in a certain great nation of our own day that shall be nameless: the husband paid for the best art that money could buy, and the wife learned to talk about it and to entertain the artist. It is true that the Roman lady began also to improve her mind. She {236} studied Greek, and hired Greek masters to teach her history and philosophy. Ladies flocked to hear lectures on all sorts of subjects, originating the odd connection between scholarship and fashion which still persists." This subject may be pursued with ever-increasing recognition of similarity between that time and our own. For instance, Mrs. Putnam says: "A woman of fashion, we are told, reckoned it among her ornaments if it were said of her that she was well read and a thinker, and that she wrote lyrics almost worthy of Sappho. She, too, must have her hired escort of teachers, and listen to them now and then, at table or while she was having her hair dressed,--at other times she was too busy. And often while the philosopher was discussing high ethical themes her maid would come in with a love-letter, and the argument must wait till it was answered. "Nothing very important in the way of production resulted from all the lady's literary activity. The verses, if Sulpicia's they be, are the sole surviving evidence of creative effort among her kind; and, respectable as they are, they need not disturb Sappho's repose. It was indirectly that the Roman lady affected literature, since kinds began to be produced to her special taste; for it is hardly an accident that the _vers de société_ should expand, and the novel originate, in periods when for the first time women were a large element in the reading public." {237}