Of course, of the formal education of the women of Greece we know very little. We do know that they would not have been respected as they were, looked up to by their sons and their husbands, honored as the poets have shown them to be, put upon the stage as the heroines of the race, only that they had been intellectually as well as {242} morally the equals--nay, the superiors--of the men around them. We do not know much about the teaching of women before and during the classical period, but we can understand very well from what we know of them that they must have had good opportunities for education. Plato, of course, insists that women should be educated in every way exactly as the men. He mentions specifically gymnastics and horseback riding, and says that women should be trained in these as well as things intellectual, for they should have their bodies developed as well as their minds. His reason for demanding equal education is very interesting, because it is an anticipation of what is being said rather emphatically at the present time. He says: "If I am right nothing can be more foolish than our modern fashion of training men and women differently, whereby one-half of the power of the city is lost. For reflect if women are not to have the education of men some other must be found for them, and what other can we propose?" His idea evidently was that only one-half those who ought to be citizens were properly trained for civic duties if the education of women were neglected. It is extremely interesting in the light of this to read some of Aristophanes' plays. Three of them, "Lysistrata," the "Thesmophoriazusae," which has a simpler name "The Women's Festival," for it referred to the great feast of Thesmophoria in honor of Ceres and Proserpine, and {243} the "Ecclesiazusae." This last title may be rendered a little freely "The Female Parliament," for in it women secure, by a little fraud, the right to vote and vote themselves into office as the main portion of the plot of the play. All three of these plays refer particularly to the question of women's rights, and though "The Women's Festival" was written as a satire on Euripides it is evident that only this subject was about as prominently before the people of Athens as the question of votes for women is in our time, Aristophanes would not have written these satiric comedies. The subjects of his plays are always the very latest actuality in Athens. Socrates was satirized in "The Clouds" within a few months of his death. "The War" was written while Athens was actually engaged in it, and "The Peace" was written within a few months after the signing of the treaty.