There was a time, not so long ago, when it was considered the proper thing in this country to talk of Longfellow as a great poet. Of course, no one does so any more. The devotion to him of so much time in our schools, while so many much more important contributions to our English poetry have but scanty attention paid them, is still producing not only a false impression on children's minds as to his proper place in literature, but is playing sad havoc with literary standards generally, so far as they may be the subject of teaching. Longfellow was, of course, nothing more than a pleasant balladist and a writer of conventional thoughts on rather commonplace themes in reasonably smooth verse. For really profound thought Longfellow's poetry has never a place. His loftiest flights of imagination do not bring him anywhere near the great mysteries of human life or the deep thoughts that run through men's minds when they are touched to the quick. Of the sterner passions of men he had scarcely an inkling. Whittier, of course, has much more real poetry {453} in his little store of verse than Longfellow, but Whittier's voice is only a very low treble and his religious training was too narrow to permit him any breadth of poetic feeling. No one thinks now that anything that Whittier wrote will live to be read by any but curious students of certain anti-slavery movements in connection with the history of our civil war. He will have an interest for antiquarian litterateurs, scarcely more than that. Of James Russell Lowell's rather charming academic verse one would prefer to say nothing, only that the serious study of it in our schools leads the present generation to think that he, too, must be considered seriously as a poet. It is doubtful if Russell Lowell ever thought of himself as a poet at all. Appropriate thoughts charmingly expressed for occasions, in verse reasonably tuneful, he could do better than most men of his time in America--that was all. Of real poetic quality there is almost none. Lowell's verse will not be read at all except by the professional critic before another generation has passed, and I am sure that no one realized this better than Lowell himself.