Edward MacDowell: A Great American Tone Poet, His Life and MusicPorte, John Fielder
General
Edward MacDowell: A Great American Tone Poet, His Life and Music
Porte, John Fielder
Composers -- United States -- Biography; MacDowell, Edward, 1860-1908
He dipped deeply into literature, both ancient and contemporary,
and was always working out aesthetic and philosophic problems
concerning music. His knowledge of his art would have done
justice to a learned academician, though this he certainly was
not, and he always held shrewdly formed opinions typical of his
countrymen, on subjects that interested him. He had a healthy
dislike of fashionable "at-homes" and dinner parties where music
is "adored" and "loved" by those who may have a good knowledge of
social matters, but who have little or no ability to comprehend
the deeper significance and power of the art. In fact one
suspects that they adopt high-class music chiefly in an attempt
to indicate an intellectual status they do not possess. For
sincere and able criticism, however, MacDowell always had respect
and interest, and he was always touched by what he thought was
honest praise and admiration. In quiet conversation he was the
most charming of men, but in social gatherings he was ill at
ease, and unable to take part in the tactful conversation and
studied courtesies of society that make for success. His
convictions were passionately idealistic, and he often stated
them with a bluntness and utter lack of diplomacy that would have
made Beethoven claim him as a brother; although MacDowell felt
none of that old giant's bitterness towards Society. Where
Beethoven felt contempt for even the praise of those he knew were
not great enough to understand him, MacDowell was merely
uncomfortable; both because he hated insincere attentions and
because his modesty would seldom allow him to believe that he
deserved even honest congratulations.[Note: When in London in
1903, MacDowell was asked to give some recitals from his
compositions, after the Philharmonic performance of his _D minor
Piano Concerto_, but on seeing the heavy recital list at Wigmore
(then Bechstein) Hall, he characteristically decided that nobody
would want to hear his music after all the other pianists had
played. His London publisher, Mr. W. Elkin. however, asked him to
come the following year, which he promised to do, but his fatal
illness intervened and he never saw England again.]
He was often sarcastic, with the humour of his countrymen, but
never bitter, and even when he was so cruelly misunderstood and
misrepresented about his Columbia resignation, he was more hurt
and disappointed than angry.
In his private life MacDowell's was a healthy, manly and robust
figure. He was fond of outdoor life, of riding and walking, and
of the homely hobbies of gardening, photography and carpentry. He
was fairly tall, broad-shouldered and powerfully built. His
features were strong and intellectual, but a captivating twinkle
and humour in his eyes and a frequent sweetness of expression
prevented his being stern or forbidding. He had a natural, noble
bearing and an unassuming, thoughtful dignity that often gave him
a look of command.
Public-domain text, read in full here on John Shaqi.
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