Edward MacDowell: A Great American Tone Poet, His Life and Music — John Shaqi
Edward MacDowell: A Great American Tone Poet, His Life and MusicPorte, John Fielder
General
Edward MacDowell: A Great American Tone Poet, His Life and Music
Porte, John Fielder
Composers -- United States -- Biography; MacDowell, Edward, 1860-1908
I permit myself to address you in the hope that you may perhaps
feel inclined to have a little work of mine listed on a
convenient occasion at a theatre. The Opus would take _at most_
15-20 minutes in performance. Tune and scores are throughout
clearly and correctly copied.
You would infinitely oblige me if you would have the great
kindness to grant my request.
In the hope of receiving your early and favourable answer,
I am,
With great respect,
Yours gratefully,
E.A. MACDOWELL.
THE MUSIC
ANALYTICAL AND DESCRIPTIVE NOTES ON MACDOWELL'S COMPOSITIONS IN
ORDER OF OPUS NUMBER. WORKS UNNUMBERED FOLLOW ON
_NOTE_.--_In the British Empire, the more important of
MacDowell's pianoforte pieces and songs published in America by
Arthur P. Schmidt are obtainable from Elkin & Co., Ltd_., 8 & 10,
_Beak Street, London, W.I., who issue a list of the composer's
works they sell. Other MacDowell compositions are mostly
obtainable through J. & W. Chester, Ltd_., II _Great Marlborough
Street, London, W.I. Ops_. 24, 28 & 31 _are issued by Winthrop
Rogers, Ltd_., 18, _Berners Street, London, W.I. In America,
Arthur P. Schmidt for all MacDowell works_.
OPUS 1 TO OPUS 8.
Destroyed by the Composer.
OPUS 9. TWO OLD SONGS, FOR VOICE AND PIANOFORTE.
_First Published_, 1894. (Arthur P. Schmidt).
1. _Deserted_.
2. _Slumber Song_.
The _Two Old Songs, Op. 9_, head the list of MacDowell's
published works with opus numbers. Their position in it, however,
is somewhat misleading to the casual observer of the composer's
artistic development, for they are the fruits of a mature period
and were given the opus number they bear only as a matter of
convenience. They were composed about ten or eleven years after
the songs of Ops. 11 and 12, which in comparison with the _Two
Old, Songs_ are weak and devoid of individuality and originality.
The _Two Old Songs_ are very beautiful and expressive, exhibiting
the composer's melodic gift.
_Deserted_ is a setting of Robert Burns's lines, "Ye banks and
braes o' bonnie Doon." It is one of the most expressive of
MacDowell's songs, being full of deep and very human pathos. The
melody is one of the most poignant he set down, but it is
subjected to repetition that becomes monotonous. The song is
expressively indicated _Slow: With pathos, yet simply_.
_Slumber Song_ is a setting of some of the composer's own lines,
"Dearest, sleep sound." The song presents a fairly good mating of
words and music, and its expression is a lovable one, inimitably
MacDowell-like in effect.
OPUS 10. FIRST MODERN SUITE, FOR PIANOFORTE.
_Composed, Frankfort, 1880. First Played, July 11th, 1882, by the
composer, at the Ninth Annual Convention of the General Society
of German Musicians, held at Zurich.
First Published, 1883_ (Breitkopf & Härtel).
_Dedicated to Mrs. Joachim Raff_.
1. _Præludium_.
2. _Presto_.
3. _Andantino and Allegretto_.
4. _Intermezzo_.
5. _Rhapsody_.
6. _Fugue_.
Public-domain text, read in full here on John Shaqi.
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