Eeldrop and AppleplexEliot, T. S. (Thomas Stearns)
Philosophy
Eeldrop and Appleplex
Eliot, T. S. (Thomas Stearns)
Fiction; Short stories
"Why," said Eeldrop, "was that fat Spaniard, who sat at the table
with us this evening, and listened to our conversation with occasional
curiosity, why was he himself for a moment an object of interest to us?
He wore his napkin tucked into his chin, he made unpleasant noises while
eating, and while not eating, his way of crumbling bread between fat
fingers made me extremely nervous: he wore a waistcoat cafe au lait, and
black boots with brown tops. He was oppressively gross and vulgar;
he belonged to a type, he could easily be classified in any town
of provincial Spain. Yet under the circumstances--when we had been
discussing marriage, and he suddenly leaned forward and exclaimed:
'I was married once myself'--we were able to detach him from his
classification and regard him for a moment as an unique being, a soul,
however insignificant, with a history of its own, once for all. It is
these moments which we prize, and which alone are revealing. For any
vital truth is incapable of being applied to another case: the essential
is unique. Perhaps that is why it is so neglected: because it is
useless. What we learned about that Spaniard is incapable of being
applied to any other Spaniard, or even recalled in words. With the
decline of orthodox theology and its admirable theory of the soul, the
unique importance of events has vanished. A man is only important as he
is classed. Hence there is no tragedy, or no appreciation of tragedy,
which is the same thing. We had been talking of young Bistwick, who
three months ago married his mother's housemaid and now is aware of the
fact. Who appreciates the truth of the matter? Not the relatives, for
they are only moved by affection, by regard for Bistwick's interests,
and chiefly by their collective feeling of family disgrace. Not the
generous minded and thoughtful outsider, who regards it merely as
evidence for the necessity of divorce law reform. Bistwick is classed
among the unhappily married. But what Bistwick feels when he wakes up
in the morning, which is the great important fact, no detached outsider
conceives. The awful importance of the ruin of a life is overlooked. Men
are only allowed to be happy or miserable in classes. In Gopsum Street a
man murders his mistress. The important fact is that for the man the act
is eternal, and that for the brief space he has to live, he is already
dead. He is already in a different world from ours. He has crossed the
frontier. The important fact is that something is done which can not
be undone--a possibility which none of us realize until we face it
ourselves. For the man's neighbors the important fact is what the man
killed her with? And at precisely what time? And who found the body?
For the 'enlightened public' the case is merely evidence for the Drink
question, or Unemployment, or some other category of things to be
reformed. But the mediaeval world, insisting on the eternity of
punishment, expressed something nearer the truth."
Public-domain text, read in full here on John Shaqi.
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