Egmont, Lamoraal, Graaf van, 1522-1568 -- Drama; Tragedies (Drama)
Clara. Could I help crying out? It was the battle of Gravelines, and
I found in the picture the letter C. and then looked for it in the
description below. There it stood, "Count Egmont, with his horse shot
under him." I shuddered, and afterwards I could not help laughing at
the woodcut figure of Egmont, as tall as the neighbouring tower of
Gravelines, and the English ships at the side.--When I remember how
I used to conceive of a battle, and what an idea I had, as a girl, of
Count Egmont; when I listened to descriptions of him, and of all the
other earls and princes;--and think how it is with me now!
[Enter Brackenburg.
Clara. Well, what is going on?
Brackenburg. Nothing certain is known. It is rumoured that an
insurrection has lately broken out in Flanders; the Regent is afraid of
its spreading here. The castle is strongly garrisoned, the burghers are
crowding to the gates, and the streets are thronged with people. I will
hasten at once to my old father. (As if about to go.)
Clara. Shall we see you to-morrow? I must change my dress a little. I
am expecting my cousin, and I look too untidy. Come, Mother, help me a
moment. Take the book, Brackenburg, and bring me such another story.
Mother. Farewell.
Brackenburg (extending his hand). Your hand.
Clara (refusing hers). When you come next.
[Exeunt Mother and DAUGHTER.
Brackenburg (alone). I had resolved to go away again at once; and yet,
when she takes me at my word, and lets me leave her, I feel as if I
could go mad,--Wretched man! Does the fate of thy fatherland, does the
growing disturbance fail to move thee?--Are countryman and Spaniard the
same to thee? and carest thou not who rules, and who is in the right? I
wad a different sort of fellow as a schoolboy!--Then, when an exercise
in oratory was given; "Brutus' Speech for Liberty," for instance, Fritz
was ever the first, and the rector would say: "If it were only spoken
more deliberately, the words not all huddled together."--Then my blood
boiled, and longed for action.--Now I drag along, bound by the eyes of
a maiden. I cannot leave her! yet she, alas, cannot love
me!--ah--no---she--she cannot have entirely rejected me--not
entirely--yet half love is no love!--I will endure it no longer!--Can
it be true what a friend lately whispered in my ear, that she secretly
admits a man into the house by night, when she always sends me away
modestly before evening? No, it cannot be true! It is a lie! A base,
slanderous lie! Clara is as innocent as I am wretched.--She has rejected
me, has thrust me from her heart--and shall I live on thus? I cannot,
I will not endure it. Already my native land is convulsed by internal
strife, and do I perish abjectly amid the tumult? I will not endure it!
When the trumpet sounds, when a shot falls, it thrills through my bone
and marrow! But, alas, it does not rouse me! It does not summon me to
join the onslaught, to rescue, to dare.--Wretched, degrading position!
Public-domain text, read in full here on John Shaqi.
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