Egypt -- Antiquities; Egypt -- Description and travel
[Illustration: THE PYRAMIDS OF GHIZEH]
of Egypt, of holding itself ever aloof, almost like the soul of man
which can retreat at will, like the Bedouin retreating from you into the
blackness of the Pyramid, far up, or far down, where the pursuing
stranger, unaided, cannot follow.
II
THE SPHINX
One day at sunset I saw a bird trying to play with the Sphinx--a bird
like a swallow, but with a ruddy brown on its breast, a gleam of blue
somewhere on its wings. When I came to the edge of the sand basin where
perhaps Khufu saw it lying nearly four thousand years before the birth
of Christ, the Sphinx and the bird were quite alone. The bird flew near
the Sphinx, whimsically turning this way and that, flying now low, now
high, but ever returning to the magnet which drew it, which held it,
from which it surely longed to extract some sign of recognition. It
twittered, it poised itself in the golden air, with its bright eyes
fixed upon those eyes of stone which gazed beyond it, beyond the land of
Egypt, beyond the world of men, beyond the center of the sun to the last
verges of eternity. And presently it alighted on the head of the Sphinx,
then on its ear, then on its breast; and over the breast it tripped
jerkily, with tiny, elastic steps, looking upward, its whole body
quivering apparently with a desire for comprehension--a desire for some
manifestation of friendship. Then suddenly it spread its wings
[Illustration: THE SPHINX]
and, straight as an arrow, it flew away over the sands and the waters
toward the doura-fields and Cairo.
And the sunset waned, and the afterglow flamed and faded, and the clear,
soft African night fell. The pilgrims who day by day visit the Sphinx,
like the bird, had gone back to Cairo. They had come, as the bird had
come; as those who have conquered Egypt came; as the Greeks came,
Alexander of Macedon, and the Ptolemies; as the Romans came; as the
Mamelukes, the Turks, the French, the English came.
They had come--and gone.
Public-domain text, read in full here on John Shaqi.
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