that he has greatly fallen away and blackened even in the fifteen yeas that I have known him. He is a phantom that is about to disappear; in spite of all the care lavished upon him, a poor phantom about to fall to pieces, to sink into nothingness. We move our lantern about his hooked nose, the better to decipher, in the play of shadow, his expression, that still remains authoritative. . . . To think that once the destinies of the world were ruled, without appeal, by the nod of this head, which looks now somewhat narrow, under the dry skin and the horrible whitish hair. What force of will, of passion and colossal pride must once have dwelt therein! Not to mention the anxiety, which to us now is scarcely conceivable, but which in his time overmastered all others--the anxiety, that is to say, of assuring the magnificence and inviolability of sepulture! . . . And this horrible scarecrow, toothless and senile, lying here in its filthy rags, with the hand raised in an impotent menace, was once the brilliant Sesostris, the master of kings, and by virtue of his strength and beauty the demigod also, whose muscular limbs and deep athletic chest many colossal statues at Memphis, at Thebes, at Luxor, reproduce and try to make eternal. . . . [*] This movement is explained by the action of the sun, which, falling on the unclothed arm, is supposed to have expanded the bone of the elbow. In the next coffin lies his father, Seti I., who reigned for a much shorter period, and died much younger than he. This youthfulness is apparent still in the features of the mummy, which are impressed besides with a persistent beauty. Indeed this good King Seti looks the picture of calm and serene reverie. There is nothing shocking in his dead face, with its long closed eyes, its delicate lips, its noble chin and unblemished profile. It is soothing and pleasant even to see him sleeping there with his hands crossed upon his breast. And it seems strange, that he, who looks so young, should have for son the old man, almost a centenarian, who lies beside him. In our passage we have gazed on many other royal mummies, some tranquil and some grimacing. But, to finish, there is one of them (the third coffin there, in the row in front of us), a certain Queen Nsitanebashru, whom I approach with fear, albeit it is mainly on her account that I have ventured to make this fantastical round. Even in the daytime she attains to the maximum of horror that a spectral figure can evoke. What will she be like to-night in the uncertain light of our little lantern?