Egypt of the Pharaohs and of the KhedivéZincke, F. Barham (Foster Barham)
History
Egypt of the Pharaohs and of the Khedivé
Zincke, F. Barham (Foster Barham)
Egypt -- Description and travel; Egypt -- History
The question they proposed to themselves was—How the memory of their
greatness, and of their achievements, might be preserved eternally. There
was the method we know was practised by the Assyrians, the Persians, and
the Hebrews. They might have caused to be recorded what they pleased
in chronicles of their reigns, written in whatever was the ordinary
character, and on whatever were the ordinary materials. There can be
little doubt but that this was done. Such records, however, did not
give sufficient promise of the eternity they desired. All materials for
writing were perishable. Great national overthrows might occur, and
all written documents might be destroyed. The language in which they
were written might change, and even the memory of it die out. Written
documents, too, in order that the record might be preserved, must be
transcribed. Here were opportunities for omissions and alterations.
These objections were conclusive against trusting exclusively to written
documents. We can now see that if the old Pharaohs had relied only on
such records as these, very little would at this day be known about them,
or ancient Egypt. What we now know would have occurred, fully justifies
their prescience: just as well as we know now, after the event, what
would have been, they knew, before the event, what would be.
They, therefore, devised another method—that both of inscribing, and of
sculpturing, on stone what they had to record. This was a material which
might be so used as to be practically imperishable. What was written on
this would not require to be rewritten from time to time. The work might
be so done as to bid fair to survive national overthrows. It might be
read by any man’s eyes, although the language of Egypt might be lost. The
sculptures, at all events, would be partially understood.
Public-domain text, read in full here on John Shaqi.
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