Egypt of the Pharaohs and of the KhedivéZincke, F. Barham (Foster Barham)
History
Egypt of the Pharaohs and of the Khedivé
Zincke, F. Barham (Foster Barham)
Egypt -- Description and travel; Egypt -- History
The Coliseum is a part of Roman history. Its magnitude and its purpose
are history. It tells us that Cæsar could issue a decree that all the
world should be taxed; that Cæsar found it necessary to dazzle and amuse
the populace; that the amusements of the populace were brutal; that
amusement, not religion, was the order of the day. So in the stones
of Karnak we see the plunder and the tribute of Asia and Ethiopia.
Many a city had been made a desolate heap, and many a fair region had
been ravaged, and the silver and the gold collected, and the surviving
inhabitants swept into the Egyptian net, and carried away captive into
Egypt, to assist in building the grand hypostyle Court of Karnak,
the grandest hall ever constructed by man. In the direction of the
axis of the connected series of temples this hall is 170 ft. long.
Its width is 329 ft. It is supported by one hundred and thirty-four
columns. The central twelve are 62 ft. high in the shaft, and 36 ft.
in circumference. The remaining one hundred and twenty-two columns are
42 ft. in height, and 28 ft. in circumference. The lintel stone of the
great doorway is within 2 in. of 41 ft. in length. Every part of the
walls, the pillars, and the roof is covered with coloured sculptures
cut by the chisel of history, and of religion, which, however, as far
as we are concerned, belongs to history. The purpose of this hall was
to provide a fitting place for the great religious diets of the nation.
It must have appeared to the thoughts of those times that the gods had
assisted the king—who was already becoming their associate—in designing
and erecting such a structure. We, however, are aware that no people can
imagine, or undertake such structures, unless they are inspired with
the sentiment that they are the greatest among the nations, and at the
head of the world. Great things—it is more true of literature than of
architecture, but it is true of everything—are not done by imitation but
by inspiration, and nothing inspires great things but greatness itself.
Public-domain text, read in full here on John Shaqi.
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