Egypt of the Pharaohs and of the KhedivéZincke, F. Barham (Foster Barham)
History
Egypt of the Pharaohs and of the Khedivé
Zincke, F. Barham (Foster Barham)
Egypt -- Description and travel; Egypt -- History
As I rode through this city of the dead, visiting the tombs which
possessed the greatest interest, I endeavoured, as I had done in the
Necropolis of the Pyramids, to recall its pristine state; to see it as
it was seen by those who constructed and peopled it. The tombs were then
everywhere along the _Háger_, that is, on the first rise or stage of
the desert, above the cultivated land. Here, as generally throughout
Egypt, vegetable life, and the soil which supports it, do not extend one
inch beyond the height of the inundation, which brings the soil as well
as the water. The stony desert, and the plant-clothed plain touch with
sharp definition, each maintaining its own character to the last, just
as the land and sea do along the beach. From this line of contact to the
precipitous rise of the hills there is a belt of irregular ground. In
some places this belt is a rocky level or incline, in others it is broken
into rocky valleys, but always above the cultivated plain. The whole of
it is thoroughly desert, and all of it ascends towards the contiguous
range. It is everywhere limestone, and generally covered with _débris_
from the excavations, and from the hill-side. Such is the site of this
great Necropolis.
In the days when Thebes was the capital, the whole of this space was
covered with the entrances to the tombs. Some of these entrances were
actual temples. Some resembled the propylons of temples. Some were
gateways, less massive and lofty, but still conspicuous objects. In every
tomb were its mummied inmates. They were surrounded by representations
in stone, and colour, of the objects and scenes they had delighted in
during life. Their property, their pursuits, what they had thought and
felt, what they had taken an interest in, and what they had believed,
were all around them. Objects of Nature, objects of art, objects of
thought, had each assumed its form in stone. Each was there for the
mummy to contemplate. These were true houses for the dead. Houses built,
decorated, and furnished for the dead. In which, however, the dead were
not dead; but were living in the mummied state. We have rock-tombs
elsewhere; but where, out of Egypt, could we find another such city?
It is a city excavated in the rocky plain, and in the mountain valleys.
It consists of thousands of apartments, spacious halls, long galleries,
steps ascending and descending, and chambers innumerable. It is more
extensive, more costly, more decorated, than many a famous city on which
the sun shines. It is peopled everywhere with its own inhabitants; but
among them is no fear, or hope—no love or hatred—no pleasure or pain—no
heart is beating—no brain is busy.
As we wander about these mansions of the dead we feel as Zobeide did when
she found herself in the spell-bound city. The inhabitants are present.
Everything they used in life is present. Life itself only is wanting.
Everything has become stone.
Public-domain text, read in full here on John Shaqi.
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