Egyptian decorative art : $b A course of lectures delivered at the Royal Institution — John Shaqi
Egyptian decorative art : $b A course of lectures delivered at the Royal InstitutionPetrie, W. M. Flinders (William Matthew Flinders)
History
Egyptian decorative art : $b A course of lectures delivered at the Royal Institution
Petrie, W. M. Flinders (William Matthew Flinders)
Decoration and ornament -- Egypt
The scarab was another such typical animal, rolling the pellet
containing an egg to a safe place where it buries it. Though very common
as an amulet for the living and the dead, yet it is not often seen in
symbolical or decorative use otherwise. With what idea the amulet was
used we do not know for certain. The scarab itself is often figured as
holding the disc of the sun between its claws: and it is at least
possible that the symbolic idea of the scarab as the maker or creator
arose from the burial of its ball being an emblem of the setting of the
sun, from which new life will arise in due course. It occurs with the
wings extended and the disc between the claws as a centre figure in the
space of a ceiling pattern (Neferhotep, XVIIIth dynasty), and on the
border of the covering of a shrine under Ramessu X., and is occasionally
met with later in decoration.
[Illustration: 207.—R.C. cxxx.]
[Illustration: 208.—P. 78.]
[Illustration: 209.—L.D. III. 100.]
The lion as a noble and royal animal frequently figures in the XVIIIth
dynasty. The Egyptians, with their marvellous instinct for taming every
animal they could find, actually trained lions or leopards to live as
domesticated animals, with the same sort of allowed wildness as modern
hunting dogs. The lion accompanied the king in battle; but in camp it
lay down as peaceably as an ox. It was frequently carved on the sides of
the thrones of the XVIIIth-XXth dynasties, and also seated in pairs,
facing or backing, on the temple walls, a usage reminding us of the lion
gate of Mykenae of the same age.
[Illustration: 210.—L.D. III. 114]
[Illustration: Fig. 211.]
Some of the Egyptian divinities also appear as symbolic ornaments. The
figures of the goddess Maat with spread wings adorned the ark of Amen-ra
under Tahutimes II.; and in earlier times similar cherubic figures stand
guarding the name of Antef V. on a scarab.
Hathor also appears on various objects. A mirror handle carved in wood
during the XIIth dynasty has the head of Hathor (P. 1. xiii.); columns
with heads of Hathor, crowned with a shrine occupied by a uraeus, are
found introduced by Amenhotep III. in his temples at El Kab and
Sedeinga, and were copied by Ramessu II. at Abu Simbel. The similar head
of Hathor was frequently made in glazed pottery as a pendant in the time
of Akhenaten. And in later times these Hathor headed capitals became
usual under the Ptolemies, as in the well-known case of the portico of
the great temple at Dendera.
[Illustration: 212.—L.D. I. 100.]
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