It will be noticed how the growth of the novel is shadowed out in the varied grounds and treatment of the tales. The earliest is purely a collection of marvels or fabulous incidents of the simplest kind. Then we advance to contrasts between town and country, between Egypt and foreign lands. Then personal adventure, and the interest in schemes and successes, becomes the staple material; while only in the later periods does character come in as the groundwork. The same may be seen in English literature--first the tales of wonders and strange lands, then the novel of adventure, and lastly the novel of character. In translating these documents into English I have freely used the various translations already published in other languages; but in all cases more or less revision and retranslation from the original has been made. In this matter I am indebted to Mr. F. Ll. Griffith, who has in some cases--as in Anpu and Bata--almost entirely retranslated the original papyrus. The material followed in each instance will be found stated in the notes accompanying the tales. As to the actual phraseology, I am alone responsible for that. How far original idiom should be retained in any translation is always a debated question, and must entirely depend on the object in view. Here the purpose of rendering the work intelligible to ordinary readers required the modifying of some idioms and the paraphrasing of others. But so far as possible the style and tone of the original has been preserved, and whatever could be easily followed has been left to speak for itself. In many plainnesses of speech the old Egyptian resembled the modern Oriental, or our own forefathers, more than ourselves in this age of squeamishness as yet unparalleled in the world. To avoid offence a few little modifications of words have been made; but rather than give a false impression by tampering with any of the narrative, I have omitted the sequel of the last tale and given only an outline of it. The diction adopted has been the oldest that could be used without affectation when dealing with the early times. It has been purposely modified in the later tales; and in the last--which is of Ptolemaic authorship--a modern style has been followed as more compatible with the later tone of the narrative.