[Sidenote: 36. Ferryshaw Siding, near Mandalay.] [Sidenote: 37. Mora.] [Sidenote: 38. Katha.] Let us make a voyage up the Irawaddy to the border of the Chinese Empire. This is a river scene a short way above Mandalay, with a group of white pagodas conspicuous on the bank, and here is a village scene. There follows a view at Katha, a large straggling village on the Irawaddy, remarkable for its many pagodas, most of them ruined. The majority of the Burmese pagodas are thus dilapidated for the reason that there is considered to be no merit in merely restoring an existing Buddhist shrine. The wealthy devotee prefers therefore to erect a new pagoda. The Shwe Dagon is an exception, for it contains sacred relics. [Sidenote: 39. Raft on the Irawaddy.] [Sidenote: 40. On the Irawaddy.] [Sidenote: 41. In the defile between Katha and Bhamo.] [Sidenote: 42. The Same.] [Sidenote: 43. Burmese Children.] [Sidenote: 44. Cart with solid Wheels.] [Sidenote: 45. Lacquer Workers.] Here we have a raft of bamboos and teak logs floating down the river, and then a typical river craft with a great oar for a rudder. Our steamer must progress with care, measuring the depths with bamboo poles at either bow. None the less, navigation extends for more than nine hundred miles from the sea. From Mandalay to Katha the bank of the river is in most places low and sandy, but between Katha and Bhamo there are striking defiles, where the ground rises with wooded fronts from the water’s edge. There is population along the banks the whole way, as is evidenced by the pagodas amid the vegetation. Here are three little Burmese villagers, and then a rustic cart with solid wheels, and here a picture showing the process of the famous lacquer work of Burma. A “shell” is first made of very thin and finely plaited bamboo, and this is covered with a pigment which, when dry, is softened on a primitive lathe. Then red lacquer is put on by hand, and the bowl is dried in the sun. When dry it is buried for some days in order that it may harden. Finally it is engraved, and often inlaid with gold.