English literature -- 18th century -- History and criticism; Great Britain -- Intellectual life -- 18th century
_Pro captu lectoris habent sua fata libelli_. In spite of the verdict
of Johnson and Fielding,--that is to say, in spite of the verdict of the
Macaulay and Thackeray of the Eighteenth Century,--the Critic, it is
to be feared, must be blamed to-day. Were Fielding alone, one might
discount his opinion by assuming that he would naturally welcome a work
of art which was on his side rather than on that of Richardson; but this
would not account for the equally favourable opinion of Johnson. *
* Johnson had, if not a taste, at least an appetite, for the
old-fashioned romances which Mrs. Lenox satirised. Once, at
Bishop Percy's, he selected 'Fenxmarte of Hircania' (in
folio) for his habitual reading, and he read it through
religiously. Upon another occasion his choice fell upon
Burke's favourite, 'Palmerin of England.' 'History as She is
wrote' in 'Clelia' and 'Cleopatra;' the persistence of
Arabella in finding princes in gardeners, and rescuers in
highwaymen--are things not ill-invented. But repeated they
pall; and not all the insistence upon her natural good sense
and her personal charms, nor (as compared with such
concurrent efforts as Mrs. Eliza Haywood's 'Betsy
Thoughtless')
Nor could it be laid entirely to the novelty of the attempt, for 'Tom
Jones' and 'Clarissa' and 'Peregrine Pickle,' masterpieces all, had by
this time been written, and can still be read, which it is difficult
to say of 'The Female Quixote; or, the Adventures of Arabella.'
Mrs. Lenox's fundamental idea, no doubt, is a good one, although the
character of the heroine has its feminine prototypes in the 'Précieuses
Ridicules' of Molière and the Biddy Tipkin of Steele's 'Tender Husband.'
It may be conceded, too, that some of the manifold complications which
arise from her bringing every incident of her career to the touchstone
of the high-falutin' romances of the Sieur de la Calprenède, and that
'grave and virtuous virgin,' Madeleine de Scudéry, are diverting enough.
The lamentable predicament of the lover, Mr. Glanville, who is convicted
of imperfect application to the pages of 'Cassandra,' by his hopeless
ignorance of the elementary fact that the Orontes and Oroondates of that
performance are one and the same person; the case of the luckless dipper
into Thucydides and Herodotus at Bath who is confronted, to his
utter discomfiture, with the inoffensive tone of the book itself, can
reconcile us to a heroine who is unable to pass the sugar-tongs without
a reference to Parisatis, Princess of Persia, or Cleobuline, Princess
of Corinth;--who holds with the illustrious Mandana that, even after ten
years of the most faithful services and concealed torments, it is still
presumptuous for a monarch to aspire to her hand;--and who, upon the
slightest provocation, plunges into tirades of this sort: 'Had you
persevered in your Affection, and continued your Pursuit of that
Public-domain text, read in full here on John Shaqi.
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