Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891 — John Shaqi
Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891
History
Eighth Annual Report of the Bureau of Ethnology: to the Secretary of the Smithsonian Institution, 1886-1887, Government Printing Office, Washington, 1891
Navajo Indians -- Rites and ceremonies; Pueblo Indians -- Antiquities; Pueblo architecture
The classification and account of the Pueblo phratries and gentes form
an important contribution to anthropology, and the discussion upon the
origin and use of the kivas is more explanatory and exhaustive than any
before made on that subject. This word of the Tusayan language is
adopted to take the place of the Spanish term “estufa,” which literally
means a stove, and is misleading, because it strictly applies only to
the sweat houses which lodge-building Indians use. The kiva is the
ceremonial chamber of the ancient and modern Pueblo peoples. They are
found wherever the remains of Pueblo architecture occur, and are
distinguished from the typical dwelling rooms by their size and position
and generally by their form. The author dwells instructively upon the
antiquity, excavation, access, exterior masonry, orientation, and
general construction, furniture, and ornaments of these remarkable
chambers, and upon the rites connected with them. He also gives an
original and acute suggestion to account for the persistence of the
structural plan of the kivas by its religious or mythologic
signification.
The designation of the curious orifice of the sipapuh as “the place from
which the people emerged,” in connection with the peculiar arrangement
of the kiva interior with its change of floor level, suggested to Mr.
Mindeleff that these features might be regarded as typifying the four
worlds of the genesis myth that has exercised such an influence on
Tusayan customs. He was also led to infer that it typifies the “four
houses” or stages described in their creation myths. The sipapuh, with
its cavity beneath the floor, is certainly regarded as indicating the
place of beginning, the lowest house under the earth, the abode of
Myuingwa, the Creator; the main or lower floor represents the second
stage; and the elevated section of the floor is made to denote the third
stage, where animals were created. At the New Year festivals animal
fetiches were set in groups upon this platform. It is also to be noted
that the ladder to the surface is invariably made of pine, and always
rests upon the platform, never upon the lower floor, and in their
traditional genesis it is stated that the people climbed up from the
third house (stage) by a ladder of pine, and through such an opening as
the kiva hatchway. The outer air is the fourth world, or that now
occupied.
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