Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2) — John Shaqi
Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)Scheffel, Joseph Victor von
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Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)
Scheffel, Joseph Victor von
Hedwig, Herzogin von Schwaben, approximately 938-994 -- Fiction
Thus questioned Praxedis turned round, and faintly smiling said: "that
was a pretty long time ago, but Master Michael Thallelaios did not
speak over well of you. He told us that he had prepared his finest
colours and goldleaves, and that you had been a lovely child, and when
brought before him to be painted, that he had felt as if he must do his
very utmost, and a thrill of awe had come over him, as when he painted
God's holy mother, for the monastery of Athos. But Princess Hadwig had
been pleased to distort her eyes; and when he had ventured to raise a
modest objection, her Grace put out her tongue, held two openspread
hands to her nose, and said in very graceful broken Greek, that this
was the right position to be painted in. The imperial court-painter
profited by the occasion to express his opinion, about the want of
manners and education in German lands, and has vowed never again to try
and paint a German Fräulein. And the emperor Basilius on hearing this
account growled fiercely through his beard ..."
"Let his Majesty growl, as long as he chooses," said the Duchess, "and
pray to Heaven that he may bestow the patience which I then lacked on
others. I have not yet had an opportunity of seeing a monkey, but
according to all that is told about them, by trustworthy men, Master
Michael's pedigree must extend to those members of creation."
Meanwhile she had put on the bracelets. It represented two serpents
twisted together and kissing each other. On the head of each rested a
tiny crown. From the mass of other trinkets, a heavy silver arrow, had
got into her hands and it also left its prison-house for a fairer
abode. It was drawn through the meshes of the golden threaded net.
As if to try the effect of the ornaments, Dame Hadwig now walked with
stately steps through the chamber. Her attitude seemed to challenge
admiration, but the hall was empty; even the cat had slunk away.
Mirrors there were none on the walls, and as for the furniture, its
adaptation to comfort was but small, according to our present views.
Praxedis' thoughts were still busy with the subject just discussed. "My
gracious Mistress," said she, "I nevertheless felt very sorry for him."
"Sorry for whom?"
"For the emperor's son. He said that you had appeared to him in a
dream, and that all his happiness depended upon you."
"Let the dead rest," said Dame Hadwig testily, "I had rather that you
took your guitar and sang me the Greek ditty:
"Constantine thou foolish lad,
Constantine leave off thy weeping!"
"The lute is broken, and all the strings torn, since my Lady Duchess
pleased to ..."
"To throw it at the head of Count Boso of Burgundy," said Dame Hadwig.
"That was well done indeed, for who told him to come uninvited to Sir
Burkhard's funeral, and to preach to me, as if he were a saint?--So we
will have the lute mended, and meanwhile, my Greek treasure, canst thou
tell me, why I have donned these glittering ornaments to-day?"
Public-domain text, read in full here on John Shaqi.
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