Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)Scheffel, Joseph Victor von
General
Ekkehard: A Tale of the Tenth Century. Vol. 1 (of 2)
Scheffel, Joseph Victor von
Hedwig, Herzogin von Schwaben, approximately 938-994 -- Fiction
On a raised brick-floor, stood the abbot's marble chair; adorned with
two roughly carved lions' heads. With a very pleasurable sensation
the eye, from under these dark arches and pillars, looked out on
the greenness of the little garden in the inner court. Roses and
holly-hocks flourished and bloomed in it; for kind nature even smiles
on those, who have turned their backs on her.
The white habits and dark-coloured mantles, contrasted well with the
stone grey walls, as one after the other, noiselessly entered. A hasty
bend of the head was the mutual greeting. Thus they stood in silent
expectation, while the morning sun came slanting in through the narrow
windows, lighting up their different faces.
They were tried men; a holy senate, well pleasing in God's sight.
He, with the shrunk figure, and sharp-featured pale face, bearing the
traces of much fasting and many night-vigils, was Notker the stutterer.
A melancholy smile played about his lips. The long practice of
asceticism, had removed his spirit from the present. In former times he
had composed very beautiful melodies; but now he had taken a more
gloomy tendency and at night was constantly challenging demons to fight
with him. In the crypt of the holy Gallus he had lately encountered the
devil himself and beaten him so heartily that the latter hid himself in
a corner, dismally howling. Envious tongues said, that Notker's
melancholy song of "_media vita_" had also a dark origin; as the Evil
One had revealed it to him in lieu of ransom, when he lay ignominiously
conquered, on the ground, under Notker's strong foot. Close to him,
there smiled a right-honest, and good-natured face, framed in by an
iron-grey beard. That was the mighty Tutilo, who loved best to sit
before the turning-lathe, and carve exquisitely fine images of ivory.
Some proofs of his skill even now exist, such as the diptychon with the
virgin Mary's ascension, and the bear of St. Gallus. But when his back
began to ache, humming an old song, he would leave his work, to go
wolf-hunting, or to engage in an honest boxing match, by way of
recreation; for he preferred fighting with wicked men, to wrestling
with midnight ghosts and often said to his friend Notker: "he who like
myself, has imprinted his mark on many a Christian, as well as heathen
back, can well afford to do without demons." Then came Ratpert the long
tried teacher of the school, who left his historical books most
unwillingly, whenever the little bell called him to an assembly.
He carried his head somewhat high, yet he and the others, though
their characters differed so much, were one heart and one soul; a
three-leaved cloister shamrock. Being one of the last who entered the
hall, he had to stand near his old antagonist, the evil Sindolt, who
pretending not to see him, whispered something to his neighbour, a
little man with a face like a shrew-mouse, who, puckering up his lips,
tried hard not to smile; for the whispered remark had been: that in the
Public-domain text, read in full here on John Shaqi.
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