Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
On the other hand, objects of sight that are not remarkably great or
high, scarce raise any emotion of grandeur or sublimity; and the same
holds in other objects. The mind is often roused and animated without
being carried to the height of grandeur or sublimity. This difference
may be discerned in many sorts of music, as well as in some musical
instruments. A kettledrum rouses, and a hautboy is animating; but
neither of them inspire an emotion of sublimity. Revenge animates the
mind in a considerable degree; but I think it never produceth an
emotion that can be termed _grand_ or _sublime_; and I shall have
occasion afterward to observe, that no disagreeable passion ever has
this effect. I am willing to put this to the test, by placing before my
reader the most spirited picture of revenge ever drawn. It is a speech
of Antony wailing over the body of Cæsar.
Wo to the hand that shed this costly blood!
Over thy wounds now do I prophesy,
(Which, like dumb mouths, do ope their ruby lips,
To beg the voice and utterance of my tongue),
A curse shall light upon the kind of men;
Domestic fury, and fierce civil strife,
Shall cumber all the parts of Italy;
Blood and destruction shall be so in use,
And dreadful objects so familiar,
That mothers shall but smile, when they behold
Their infants quarter’d by the hands of war,
All pity choak’d with custom of fell deeds.
And Cæsar’s spirit, ranging for revenge,
With _Atè_ by his side come hot from hell,
Shall in these confines, with a monarch’s voice,
Cry _Havock_, and let slip the dogs of war.
_Julius Cæsar, act 3. sc. 4._
When the sublime is carried to its due height and circumscribed within
proper bounds, it inchants the mind and raises the most delightful of
all emotions. The reader, ingrossed by a sublime object, feels himself
raised as it were to a higher rank. When such is the case, it is not
wonderful that the history of conquerors and heroes should be
universally the favourite entertainment. And this fairly accounts for
what I once erroneously suspected to be a wrong bias originally in human
nature. The grossest acts of oppression and injustice, scarce blemish
the character of a great conqueror. We notwithstanding warmly espouse
his interest, accompany him in his exploits, and are anxious for his
success. The splendor and enthusiasm of the hero transfused into the
readers, elevate their minds far above the rules of justice, and render
them in a great measure insensible of the wrong that is done:
Public-domain text, read in full here on John Shaqi.
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