Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
of gratitude, which respects the creditor solely, and prompts me to act
in order to do him good. Here the action is partly social, partly
selfish. Suppose again I meet with a surprising and unexpected act of
generosity, that inspires me with love to my benefactor and the utmost
gratitude. I burn to do him good: he is the sole object of my desire;
and my own pleasure in gratifying the desire, vanisheth out of sight. In
this case, the action I perform is purely social. Thus it happens, that
when a social motive becomes strong, the action is exerted with a view
singly to the object of the passion; and the selfish pleasure arising
from gratification is never once considered. The same effect of stifling
selfish motives, is equally remarkable in other passions that are in no
view social. Ambition, for example, when confined to exaltation as its
ultimate end, is neither social nor selfish. Let exaltation be
considered as a means to make me happy, and the passion becomes so far
selfish. But if the desire of exaltation wax strong and inflame my mind,
the selfish motive now mentioned is no longer felt. A slight degree of
resentment, where my chief view in acting is the pleasure arising to
myself from gratifying the passion, is justly denominated _selfish_.
Where revenge flames so high as to have no other aim but the destruction
of its object, it is no longer selfish. In opposition to a social
passion, it maybe termed _dissocial_[17].
Of self, every one hath a direct perception: of other things, we have no
knowledge but by means of their attributes. Hence it is, that of self,
the perception is more lively than of any other thing. Self is an
agreeable object; and, for the reason now given, must be more agreeable
than any other object. Is not this sufficient to account for the
prevalence of self-love?
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