Elements of Criticism, Volume I.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume I.
Kames, Henry Home, Lord
Criticism; Literary style
Friendship, less vigorous than self-love, is, for that reason, less apt
to communicate itself to children or other relations. Instances however
are not wanting, of such communicated passion arising from friendship
when it is strong. Friendship may go higher in the matrimonial state
than in any other condition: and Otway, in _Venice preserv’d_, shows a
fine taste in taking advantage of that circumstance. In the scene where
Belvidera sues to her father for pardon, she is represented as pleading
her mother’s merit, and the resemblance she bore to her mother.
_Priuli._ My daughter!
_Belvidera._ Yes, your daughter, by a mother
Virtuous and noble, faithful to your honour,
Obedient to your will, kind to your wishes,
Dear to your arms. By all the joys she gave you,
When in her blooming years she was your treasure,
Look kindly on me; in my face behold
The lineaments of hers y’ have kiss’d so often,
Pleading the cause of your poor cast-off child.
And again,
_Belvidera._ Lay me, I beg you, lay me
By the dear ashes of my tender mother.
She would have pitied me, had fate yet spar’d her.
_Act 5. sc. 1._
This explains why any meritorious action or any illustrious
qualification in my son or my friend, is apt to make me overvalue
myself. If I value my friend’s wife or his son upon account of their
connection with him, it is still more natural that I should value myself
upon account of my own connection with him.
Friendship, or any other social affection, may produce opposite effects.
Pity, by interesting us strongly for the person in distress, must of
consequence inflame our resentment against the author of the distress.
For, in general, the affection we have for any man, generates in us
good-will to his friends and ill-will to his enemies. Shakespear shows
great art in the funeral oration pronounced by Antony over the body of
Cæsar. He first endeavours to excite grief in the hearers, by dwelling
upon the deplorable loss of so great a man. This passion raised to a
pitch, interesting them strongly in Cæsar’s fate, could not fail to
produce a lively sense of the treachery and cruelty of the conspirators;
an infallible method to inflame the resentment of the multitude beyond
all bounds.
Public-domain text, read in full here on John Shaqi.
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