Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
We proceed to the second kind of beauty, which consists in a due
arrangement of the words or materials. This branch of the subject is not
less nice than extensive; and I despair to put it in a clear light,
until a sketch be given of the general principles that govern the
structure or composition of language.
Every thought, generally speaking, contains one capital object
considered as acting or as suffering. This object is expressed by a
substantive noun. Its action is expressed by an active verb; and the
thing affected by the action is expressed by another substantive noun.
Its suffering or passive state is expressed by a passive verb, and the
thing which acts upon it, by a substantive noun. Beside these, which are
the capital parts of a sentence or period, there are generally
under-parts. Each of the substantives as well as the verb, may be
qualified. Time, place, purpose, motive, means, instrument, and a
thousand other circumstances, may be necessary to complete the thought.
And in what manner these several parts are connected together in the
expression, will appear from what follows.
In a complete thought or mental proposition, all the members and parts
are mutually related, some slightly, some more intimately. In
communicating such a thought, it is not sufficient that the component
ideas be clearly expressed: it is also necessary, that all the relations
contained in the thought be expressed according to their different
degrees of intimacy. To annex a certain meaning to a certain sound or
word, requires no art. The great nicety in all languages is, to express
the various relations that connect together the parts of the thought.
Could we suppose this branch of language to be still a secret, it would
puzzle, I am apt to think, the greatest grammarian ever existed, to
invent an expeditious method. And yet, by the guidance merely of nature,
the rude and illiterate have been led to a method so perfect, that it
appears not susceptible of any improvement. Without a clear conception
of the manner of expressing relations, one at every turn must be at a
loss about the beauties of language; and upon that subject therefore I
find it necessary to say a few words.
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