Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
At St Bride’s church in Fleetstreet, Mr Woolston, (who writ against
the miracles of our Saviour), in the utmost terrors of conscience
made a public recantation.
The interjecting a circumstance betwixt a relative word and that to
which it relates, is more properly termed inversion; because, by a
violent disjunction of words intimately connected, it recedes farther
from a natural style. But this liberty has also degrees; for the
disjunction is more violent in some cases than in others. This I must
also explain: and to give a just notion of the difference, I must crave
liberty of my reader to enter a little more into an abstract subject,
than would otherwise be my choice.
In nature, though a substance cannot exist without its qualities, nor a
quality without a substance; yet in our conception of these, a material
difference may be remarked. I cannot conceive a quality but as belonging
to some subject: it makes indeed a part of the idea which is formed of
the subject. But the opposite holds not. Though I cannot form a
conception of a subject devoid of all qualities, a partial conception
may however be formed of it, laying aside or abstracting from any
particular quality. I can, for example, form the idea of a fine Arabian
horse without regard to his colour, or of a white horse without regard
to his size. Such partial conception of a subject, is still more easy
with respect to action or motion; which is an occasional attribute only,
and has not the same permanency with colour or figure. I cannot form an
idea of motion independent of a body; but there is nothing more easy
than to form an idea of a body at rest. Hence it appears, that the
degree of inversion depends greatly on the order in which the related
words are placed. When a substantive occupies the first place, we cannot
foresee what is to be said of it. The idea therefore which this word
suggests, must subsist in the mind at least for a moment, independent of
the relative words afterward introduced; and if it can so subsist, that
moment may without difficulty be prolonged by interjecting a
circumstance betwixt the substantive and its connections. Examples
therefore of this kind, will scarce alone be sufficient to denominate a
style inverted. The case is very different, where the word that occupies
the first place, denotes a quality or an action; for as these cannot be
conceived without a subject, they cannot without greater violence be
separated from the subject that follows. And for that reason, every such
separation by means of an interjected circumstance belongs to an
inverted style.
To illustrate this doctrine examples being necessary, I shall begin with
those where the word first introduced does not imply a relation.
---- Nor Eve to iterate
Her former trespass fear’d.
---- Hunger and thirst at once,
Powerful persuaders, quicken’d at the scent
Of that alluring fruit, urg’d me so keen.
Public-domain text, read in full here on John Shaqi.
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