Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
[63] This observation is finely illustrated by a story which Herodotus
records, _book 3_. Cambyses when he conquered Egypt, took Psammenitus
the King prisoner: and to try his constancy, ordered his daughter to be
dressed in the habit of a slave, and to be employ’d in bringing water
from the river. His son also was led to execution with a halter about
his neck. The Egyptians vented their sorrow in tears and lamentations.
Psammenitus only, with a down-cast eye, remained silent. Afterward
meeting one of his companions, a man advanced in years, who being
plundered of all, was begging alms, he wept bitterly, calling him by
his name. Cambyses was struck with wonder, and sent a messenger with
the following question, “Psammenitus, thy master Cambyses is desirous
to know, why, after thou hadst seen thy daughter so ignominiously
treated, and thy son led to execution, without exclamation or weeping,
thou shouldst be so highly concerned for a poor man no way related to
thee?” Psammenitus returned the following answer: “Son of Cyrus, the
calamities of my family are too great to leave me the power of weeping:
but the misfortunes of a companion, reduced in his old age to want of
bread, is a fit subject for lamentation.”
[64] See chap. 2. part 3.
[65] Chap. 16.
[66] See this explained more particularly in chap. 8.
[67] Of this take the following specimen:
They clepe us drunkards, and with swinish phrase
Soil our addition; and, indeed, it takes
From our atchievements, though perform’d at height,
The pith and marrow of our attribute.
So, oft it chances in particular men,
That for some vicious mole of nature in them,
As, in their birth, (wherein they are not guilty,
Since Nature cannot chuse his origin),
By the o’ergrowth of some complexion
Oft breaking down the pales and forts of reason;
Or by some habit, that too much o’er-leavens
The form of plausive manners; that these men
Carrying, I say, the stamp of one defect,
(Being Nature’s livery, or Fortune’s scar),
Their virtues else, be they as pure as grace,
As infinite as man may undergo,
Shall in the general censure take corruption
From that particular fault.
_Hamlet, act 1. sc. 7._
[68] The critics seem not perfectly to comprehend the genius of
Shakespear. His plays are defective in the mechanical part, which
is less the work of genius than of experience; and is not otherwise
brought to perfection than by diligently observing the errors of
former compositions. Shakespear excels all the ancients and moderns,
in knowledge of human nature, and in unfolding even the most obscure
and refined emotions. This is a rare faculty, and of the greatest
importance in a dramatic author; and it is this faculty which makes him
surpass all other writers in the comic as well as tragic vein.
[69] Soliloquies accounted for chap. 15.
[70] Act 2. sc. 2.
[71] Act 1. sc. 1.
[72] Act 1. sc. 2.
[73] Act 1. sc. 2.
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