Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
However difficult it may be in every particular instance to distinguish
a witty thought or expression from one that is not so, yet in general it
may be laid down, that the term _wit_ is appropriated to such thoughts
and expressions as are ludicrous, and also occasion some degree of
surprise by their singularity. Wit also in a figurative sense expresses
that talent which some men have of inventing ludicrous thoughts or
expressions. We say commonly, _a witty man_, or _a man of wit_.
Wit in its proper sense, as suggested above, is distinguishable into two
kinds; wit in the thought, and wit in the words or expression. Again,
wit in the thought is of two kinds; ludicrous images, and ludicrous
combinations of things that have little or no natural relation.
Ludicrous images that occasion surprise by their singularity, as having
little or no foundation in nature, are fabricated by the imagination.
And the imagination is well qualified for the office; being of all our
faculties the most active, and the least under restraint. Take the
following example.
_Shylock._ You knew (none so well, none so well as you) of my
daughter’s flight.
_Salino._ That’s certain; I, for my part, knew the tailor that made
the wings she flew withal.
_Merchant of Venice, act 3. sc. 1._
The image here is undoubtedly witty. It is ludicrous: and it must
occasion surprise; for having no natural foundation, it is altogether
unexpected.
The other branch of wit in the thought, is that only which is taken
notice of by Addison, following Locke, who defines it “to lie in the
assemblage of ideas; and putting those together with quickness and
variety, wherein can be found any resemblance or congruity, thereby to
make up pleasant pictures and agreeable visions in the fancy[21].” It
may be defined more curtly, and perhaps more accurately, “A junction of
things by distant and fanciful relations, which surprise because they
are unexpected[22].” The following is a proper example.
We grant although he had much wit,
H’ was very shie of using it,
As being loth to wear it out;
And therefore bore it not about,
Unless on holidays, or so,
As men their best apparel do.
_Hudibras, canto 1._
Wit is of all the most elegant recreation. The image enters the mind
with gaiety, and gives a sudden flash which is extremely pleasant. Wit
thereby gently elevates without straining, raises mirth without
dissoluteness, and relaxes while it entertains.
Wit in the expression, commonly called _a play of words_, being a
bastard sort of wit, is reserved for the last place. I proceed to
examples of wit in the thought. And first of ludicrous images.
Falstaff, speaking of his taking Sir John Colevile of the Dale:
Public-domain text, read in full here on John Shaqi.
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