Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
Dulcia non ferimus: succo renovamur amaro.
_Ovid. art. Amand. l. 3._
Insipido è quel dolce, che condito
Non è di qualche amaro, e tosto satia.
_Aminta di Tasso._
These violent delights have violent ends,
And in their triumph die. The sweetest honey
Is loathsome in its own deliciousness,
And in the taste confounds the appetite;
Therefore love mod’rately, long love doth so:
Too swift arrives as tardy as too slow.
_Romeo and Juliet, act 2. sc. 6._
The same holds in the causes of all violent pleasures: these causes are
not naturally susceptible of habit. Great passions suddenly raised are
incompatible with a habit of any sort. In particular they never produce
affection or aversion. A man who at first sight falls violently in love,
has a strong desire of enjoyment, but no affection for the woman[25]. A
man who is surprised with an unexpected savour, burns for an
opportunity to exert his gratitude, without having any affection for his
benefactor. Neither does desire of vengeance for an atrocious injury
involve aversion.
It is perhaps not easy to say why moderate pleasures gather strength by
custom. But two causes concur to prevent this effect in the more
intense pleasures. These, by an original law in our nature, increase
quickly to their full growth, and decay with no less precipitation[26];
and custom is too slow in its operation to overcome this law. Another
cause is not less powerful. The mind is exhausted with pleasure as well
as with pain. Exquisite pleasure is extremely fatiguing; occasioning, as
a naturalist would say, great expence of animal spirits[27]. And
therefore, of such the mind cannot bear so frequent gratification as to
superinduce a habit. If the thing which raises the pleasure return
before the mind have recovered its tone and relish, disgust ensues
instead of pleasure.
A habit never fails to admonish us of the wonted time of gratification,
by raising a pain for want of the object, and a desire to have it. The
pain of want is always first felt; the desire naturally follows; and
upon presenting the object, both vanish instantaneously. Thus a man
accustomed to tobacco, feels, at the end of the usual interval, a
confused pain of want, which in its first appearance points at nothing
in particular, though it soon settles upon its accustomed object. The
same may be observed in persons addicted to drinking, who are often in
an uneasy restless state before they think of their bottle. In pleasures
indulged regularly and at equal intervals, the appetite, remarkably
obsequious to custom, returns regularly with the usual time of
gratification; and a sight of the object in the interim, has scarce any
power to move it. This pain of want arising from habit, seems directly
opposite to that of satiety. Singular it must appear, that frequency of
gratification should produce effects so opposite as are the pains of
excess and of want.
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