Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
The foregoing observations afford a standard to every nation, for
estimating, pretty accurately, the comparative merit of the words that
enter into their own language. And though at first view they may be
thought equally useful for estimating the comparative merit of different
languages; yet this holds not in fact, because no person can readily be
found who is sufficiently qualified to apply the standard. What I mean
is, that different nations judge differently of the harshness or
smoothness of articulate sounds: a sound, harsh and disagreeable to an
Italian, may be abundantly smooth to a northern ear. Where are we to
find a judge to determine this controversy? and supposing a judge, upon
what principle is his decision to be founded? The case here is precisely
the same as in behaviour and manners. Plain-dealing and sincerity,
liberty in words and actions, form the character of one people.
Politeness, reserve, and a total disguise of every sentiment that can
give offence, form the character of another people. To each the manners
of the other are disagreeable. An effeminate mind cannot bear the least
of that roughness and severity, which is generally esteemed manly when
exerted upon proper occasions. Neither can an effeminate ear bear the
least harshness in words that are deemed nervous and sounding by those
accustomed to a rougher tone of language. Must we then relinquish all
thoughts of comparing languages in the point of roughness and
smoothness, as a fruitless inquiry? Not altogether so; for we may
proceed a certain length, though without hope of an ultimate decision. A
language with difficulty pronounced even by natives, must yield the
preference to a smoother language. Again, supposing two languages
pronounced with equal facility by natives, the preference, in my
judgement, ought to be in favour of the rougher language; provided it be
also stored with a competent share of more mellow sounds. This will be
evident from attending to the different effects that articulate sound
hath upon the mind. A smooth gliding sound is agreeable, by smoothing
the mind and lulling it to rest. A rough bold sound, on the contrary,
animates the mind. The effort perceived in pronouncing, is communicated
to the hearers: they feel in their own minds a similar effort, which
rouses their attention and disposes them to action. I must add another
consideration. The agreeableness of contrast in the rougher language,
for which the great variety of sounds gives ample opportunity, must,
even in an effeminate ear, prevail over the more uniform sounds of the
smoother language[76]. This appears to me all that can be safely
determined upon the present point. With respect to the other
circumstances that constitute the beauty of words, the standard above
mentioned is infallible when apply’d to foreign languages as well as to
our own. For every man, whatever be his mother-tongue, is equally
capable to judge of the length or shortness of words, of the alternate
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