Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
opening and closing of the mouth in speaking, and of the relation which
the sound bears to the sense. In these particulars, the judgement is
susceptible of no prejudice from custom, at least of no invincible
prejudice.
That the English tongue, originally harsh, is at present much softened
by dropping in the pronunciation many redundant consonants, is
undoubtedly true. That it is not capable of being farther mellowed,
without suffering in its force and energy, will scarce be thought by any
one who possesses an ear. And yet such in Britain is the propensity for
dispatch, that overlooking the majesty of words composed of many
syllables aptly connected, the prevailing taste is, to shorten words,
even at the expence of making them disagreeable to the ear and harsh in
the pronunciation. But I have no occasion to insist upon this article,
being prevented by an excellent writer, who possessed, if any man ever
did, the true genius of the English tongue[77]. I cannot however forbear
urging one observation borrowed from that author. Several tenses of our
verbs are formed by adding the final syllable _ed_, which, being a weak
sound, has remarkably the worse effect by possessing the most
conspicuous place in the word. Upon that account, the vowel is in common
speech generally suppressed, and the consonant is added to the foregoing
syllable. Hence the following rugged sounds, _drudg’d_, _disturb’d_,
_rebuk’d_, _fledg’d_. It is still less excuseable to follow this
practice in writing; for the hurry of speaking may excuse what is
altogether improper in a composition of any value. The syllable _ed_, it
is true, makes but a poor figure at the end of a word: but we ought to
submit to that defect, rather than multiply the number of harsh words,
which, after all that has been done, bear an over-proportion in our
tongue. The author above mentioned, by showing a good example, did all
in his power to restore that syllable; and he well deserves to be
imitated. Some exceptions however I would make. A word which signifies
labour, or any thing harsh or rugged, ought not to be smooth. Therefore
_forc’d_, with an apostrophe, is better than _forced_, without it.
Another exception is, where the penult syllable ends with a vowel. In
that case the final syllable _ed_ may be apostrophized without making
the word harsh. Examples, _betray’d_, _carry’d_, _destroy’d_,
_employ’d_.
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