Elements of Criticism, Volume II.Kames, Henry Home, Lord
Philosophy
Elements of Criticism, Volume II.
Kames, Henry Home, Lord
Criticism; Literary style
It is well said by a noted writer[80], “That by means of speech we can
divert our sorrows, mingle our mirth, impart our secrets, communicate
our counsels, and make mutual compacts and agreements to supply and
assist each other.” Considering speech as contributing thus to so many
good purposes, it follows, that the chusing words which have an accurate
meaning, and tend to convey clear and distinct ideas, must be one of its
capital beauties. This cause of beauty, is too extensive to be handled
as a branch of any other subject. To ascertain with accuracy even the
proper meaning of words, not to talk of their figurative power, would
require a large volume; an useful work indeed; but not to be attempted
without a large stock of time, study, and reflection. This branch
therefore of the subject I must humbly decline. Nor do I propose to
exhaust all the other beauties of language with respect to
signification. The reader, in a work like the present, cannot fairly
expect more than a slight sketch of those that make the greatest figure.
This is a task which I attempt the more willingly, as it appears to be
connected with some principles in human nature; and the rules I shall
have occasion to lay down, will, if I judge aright, be agreeable
illustrations of these principles. Every subject must be of importance
that tends in any measure to unfold the human heart; for what other
science is more worthy of human beings?
The present subject is so extensive, that, to prevent confusion, it must
be divided into parts; and what follows suggests a division into two
parts. In every period, two things are to be regarded, equally capital;
first, the words of which the period is composed; next, the arrangement
of these words. The former resemble the stones that compose a building;
and the latter resembles the order in which these stones are placed.
Hence the beauty of language with respect to its meaning, may not
improperly be distinguished into two kinds. The first consists in a
right choice of words or materials for constructing the period; and the
other consists in a due arrangement of these words or materials. I shall
begin with rules that direct us to a right choice of words, and then
proceed to rules that concern their arrangement.
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