Elements of Military Art and Science: Or, Course Of Instruction In Strategy, Fortification, Tactics Of Battles, &C.; Embracing The Duties Of Staff, Infantry, Cavalry, Artillery, And Engineers; Adapted To The Use Of Volunteers And Militia; Third Edition; With Critical Notes On The Mexican And Crimean Wars.Halleck, H. W. (Henry Wager)
Philosophy
Elements of Military Art and Science: Or, Course Of Instruction In Strategy, Fortification, Tactics Of Battles, &C.; Embracing The Duties Of Staff, Infantry, Cavalry, Artillery, And Engineers; Adapted To The Use Of Volunteers And Militia; Third Edition; With Critical Notes On The Mexican And Crimean Wars.
Halleck, H. W. (Henry Wager)
Military art and science
_accidental line of operations_ in the same manner, and with the same
probability of success, as is done by a regular force.
We have examples of accidental lines in the operations of the king of
Prussia, after the battle of Hohenkirchen, and of Washington, in
New-Jersey, after the action of Princeton. This is one of the finest in
military history. Napoleon had projected a change in his line of
operations, in case he lost the battle of Austerlitz; but victory
rendered its execution unnecessary. Again in 1814 he had planned an
entire change of operations; but the want of co-operation of the forces
under Mortier and Marmont forced him to abandon a plan which, if
properly executed, had probably defeated the allies. Jomini pronounced
it one of the most brilliant of his military career.
Having explained the principal terms used in strategy, let us trace out
the successive operations of war in their usual strategic relations.
We will suppose war to be declared, and the army to be just entering
upon a campaign. The political and military authorities of the state
determine upon the nature of the war, and select the theatre of its
enterprises. The chief selects certain points, on or near the borders of
the seat of war, where his troops are to be assembled, and his
_materiel_ collected. These points, together, form his base of
operations. He now selects some point, within the theatre of the war, as
the first object of his enterprises, and chooses the line of operations
most advantageous for reaching this objective point. The temporary
positions taken on this line become strategic positions, and the line in
his rear, a line of defence. When he arrives in the vicinity of his
first object, and the enemy begins to oppose his enterprises, he must
force this enemy to retreat, either by an attack or by manoeuvres. For
this purpose he temporarily adopts certain lines of manoeuvre, which may
deviate from his general line of operations. The ulterior events of the
campaign may possibly cause him to make these new, or accidental lines,
his lines of operations. The approach of hostile forces may cause him to
detach secondary corps on secondary lines; or to divide his army, and
pursue double or multiple lines. The primitive object may also be
relinquished, and new ones proposed, with new lines and new plans of
operations. As he advances far from his primitive base, he forms new
depots and lines of magazines. He may encounter natural and artificial
obstacles. To cross large rivers in the face of an enemy is a hazardous
operation; and he requires all the art of the engineer in constructing
bridges, and securing a safe passage for his army. If a fortified place
is to be taken, he will detach a siege corps, and either continue his
march with the main army, or take a strategic position to cover this
siege. Thus Napoleon, in 1796, with an army of only 50,000 combatants,
could not venture to penetrate into Austria, with Mantua and its
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