The secondary eruption which follows the phagedenic form is pustular,
though differing from that which has been already noticed. The pustules
soon give way, and ulcers remain, covered with thick scales or crusts,
which sometimes increase, layer by layer, so as to become prominent,
dense, and of a conical form,—the rupia prominens. After the separation
of the crusts the ulcers are found, superficial, rather unhealthy, and
showing a disposition to extend, chiefly towards the circumference.
When healing, the process of cicatrisation frequently proceeds from
the centre of the sore, which is still enlarging at its circumference.
The reason for this unusual mode seems to be that ulceration does not
commence in the secondary sores till the crusts which cover them have
been removed: they then are very superficial, not extending through
the thickness of the true skin; and the ulceration does not go on in
the centre of the original sore, but towards its margins, so that a
portion of true skin remains in the centre of the sore, whilst it is
gradually destroyed towards the margins. Then, whilst the surrounding
skin, which usually forms the new cutaneous texture necessary for
reparation, is gradually and progressively destroyed, the remaining
old skin in the sore assumes an excited action, as in ordinary cases,
and from it the requisite new texture is formed, and gradually extends
over the surface, until it meet with a similar substance, which has
been produced by the surrounding skin after the ulceration in that
quarter has ceased. Thus the general principle that skin is formed
by skin is, even in such instances, found to be correct; the healing
from the centre not following, as some have supposed, the complete
destruction of the cutaneous tissues, but from its having remained
unaffected, or nearly so. The appearance of the eruption is preceded by
general indisposition, and occasionally by smart fever. It is sometimes
extensive, but is in general confined to the upper parts of the body.
Public-domain text, read in full here on John Shaqi.
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