Elfin music : $b An anthology of English fairy poetry
General
Elfin music : $b An anthology of English fairy poetry
English poetry; Fairy poetry, English
This little volume is devoted to a sweet and delightful section of poetic
fancy, and not to the lofty flights of inspired imagination. It is full
of felicity and beauty, and though not a tabernacle enshrining the
rarest gems, it is a storehouse of dainty devices. If individual poems
are occasionally found to fall below the general level of their writers,
as perhaps in the case of Herrick, an explanation will possibly be seen
in the unserious spirit with which the subject has been too frequently
approached by our English poets, who have generally represented a class
superior to the superstitions and sometimes to the faiths of the time.
In such cases as that of James Hogg, the Ettrick Shepherd, for whom the
doctrine of spiritual essences was still true, for whom those elemental
intelligences
Which have their haunts in dale and piny mountain,
Or forests, by slow stream or tingling brook,
still survived in the “faith of reason,” we find the concentrated
strength of a vivid and mature imagination devoted to the production of a
true fairy poem which is “not for an age but for all time.”
* * * * *
A word, in conclusion, must be said on the arrangement of this anthology.
The absence of a sufficiently harmonious development of fairy fancy as
it is found in our English poetry does not warrant a simple chronological
plan; I have adopted another, which I trust will contribute towards the
attractiveness and literary value of the book. It opens with a foreview,
or bird’s-eye prospect of the fairy country, as it might be beheld by the
traveller from without. A prelude follows, which implores the return of
its inhabitants into the world of humanity. Then, in the first division
there is a particular account of the court, country, and people of
Fairyland, of its temples, palaces, and festivals. The second division
contains the Chronicles of Fairyland, a series of pleasing poetic
romances, where the scene is laid in the Fairy country and the actors are
exclusively elfin folk. A third division is devoted to those wonderful
and mystical travels or spiritual pilgrimages into Fairyland, which have
been occasionally undertaken by favoured and adventurous mortals. The
section entitled Men and Fairies comprises those poems and romances in
which the different orders of elfin spirits enter into communication with
man and mingle in the life of earth, dispensing supernatural benevolence,
or working unheard-of woe, according to their various dispositions. Some
poems which cannot be included in the foregoing divisions, but deserve
by their merits a place in this elfin anthology, are comprised in a
miscellaneous section. The work closes with an epilogue, which shows why
the fairies have departed, and what are the conditions of their return.
Public-domain text, read in full here on John Shaqi.
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