Elfin music : $b An anthology of English fairy poetry
General
Elfin music : $b An anthology of English fairy poetry
English poetry; Fairy poetry, English
She fell asleep on the green, and when she awoke it was in a state of
frenzy which frightened her virgins away, and they ran back to alarm the
whole palace.
She was borne from the orchard to her bed by a long train of knights and
ladies, and was visited by the distressed king, whom she informed, amidst
great lamentations, that she must go from him—
As Ich lay this under tide,
And slepe under an orchard side,
There come to me to fair knightes
Wele y armed al to rightes,
And bad me comen an heighing,
And speke with her lord the king;
And Ich answered at wordes bold,
Y durst nought, no y nold:
Thai pinkd oghain as thai might driue,
Ther com her king also bliue,
With an hundred knightes and mo,
And damissels an hundred al so;
Al on snowe white stedes,
As white as milke were her wedes,
Y no seighe yete bifore
So fair creatours y core!
The king hadde a crown on hed,
It nas of silver, no of gold red,
Ac it was of a precious ston;
As bright as the sonne it schon:
And as son as he to me cam,
Wold Ich, nold Ich, he me nam,
And made me with him ride,
Opon a palfrey by his side,
And brought me to his pallays,
Wele attired in ich ways;
And schewd me castels and tours,
Rivers, forestes, frith with flours;
And his riche stedes ichon,
And sith then me brought oghain hom,
Into an owhen orchard,
And said to me afterward:
Loke dame! to morowe that av be
Right here under this ympe tree;
And than thou schalt with ous go,
And live with us ever mo,
And yif thou makest ous y let,
Where thou be, thou worst y set,
And to tore thine limes al,
That nothing help the no schal,
And thei thou best so torn,
Yete thou worst with ous y born.
The power of the Fairy King over the royal lady of earth appears to have
been given him in virtue of her slumber beneath an elvish tree, which,
though growing in her husband’s orchard, made the surrounding grass-plot
the property of the elvish world. Orfeo repaired on the morrow to the
“ympe-tree,” accompanied by a thousand knights, resolved one and all to
die, if it were necessary, ere the queen should go from home; but on
reaching the fay-bound place Heurodis, in the midst of the whole company,
was spirited suddenly away. The king in his misery vowed never again
to look upon the face of a woman, and retired into the wilderness with
his harp, which subdued by its magical melody the fierce beasts that
abounded on every side. This wilderness eventually proves to be a summer
resort of the Fairy King, where Orfeo beholds distant visions of elfin
hunters, elfin knights, and ladies at the dance, and then on a certain
day of supreme election he falls into the hands of a joyous bevy of elfin
damsels, among whom he recognises his own Heurodis. Their mutual emotion
betrays him, and she is carried swiftly away by her companions. Orfeo
pursues the bright band with lyre and lamentations; a rock opens before
them; he follows them into it, and thus reaches Fairy Land.
Public-domain text, read in full here on John Shaqi.
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