Eli: First published in the "Century Magazine" — John Shaqi
Eli: First published in the "Century Magazine"Chaplin, Heman White
General
Eli: First published in the "Century Magazine"
Chaplin, Heman White
New England -- Social life and customs -- Fiction
The captain calmly smiled as only a man can smile who has been accosted
with the same humorous remark a dozen times a day for twenty years.
He folded his paper carefully, put it in his pocket, took off
his spectacles and put them in their silver case, took a red silk
handkerchief from his hat, wiped his face, and put the handkerchief
back. Then he said shortly,--
“That's what I _have_ come for.”
Wood, still leaning on the fence, looked at him, and said nothing.
“That's just what I 've come for,” said Captain Nourse. “I 've got to
arrest you; here's the warrant.” And he handed it to him.
“What does this mean?” said Wood. “I can't make head or tail of this.”
“Well,” said the captain, “the long and short is, these high-toned
detectives that they 've hed down from town, seein' as our own force
was n't good enough, allow that the safe was unlocked with a key, in due
form, and then the lock was broke afterward, to look as if it had been
forced open. They 've hed the foreman of the safe-men down, too, and he
says the same thing. Naturally, the argument is, there was only two keys
in existence,--one was safe with the president of the bank, and is about
all he 's got to show out of forty years' savings; the only other one
you hed: consequently, it heaves it onto you.”
“I see,” said Wood. “I will go with you. Do you want to come into the
house with me while I get my coat?”
“Well, I suppose I must keep you in sight,--now you know.”
And they went into the house.
“Mary,” said her husband, “the folks that lost by Clark when the bank
broke have been at him until he 's felt obliged to pitch on somebody,
and he's pitched on me; and Captain Nourse has come to arrest me. I
shall get bail before long.”
She said nothing, and did not shed a tear till he was gone.
But then--
II.
Wide wastes of salt-marsh to the right, imprisoning the upland with a
vain promise of infinite liberty, and, between low, distant sandhills,
a rim of sea. Stretches of pine woods behind, shutting in from the great
outer world, and soon to darken into evening gloom. Ploughed fields and
elm-dotted pastures to the left, and birch-lined roads leading by white
farm-houses to the village, all speaking of cheer and freedom to the
prosperous and the happy, but to the unfortunate and the indebted, of
meshes invisible but strong as steel. But, before, no lonesome marshes,
no desolate forest, no farm or village street, but the free blue ocean,
rolling and tumbling still from the force of an expended gale.
In the open doorway of a little cottage, warmed by the soft slanting
rays of the September sun, a rough man, burnt and freckled, was sitting,
at his feet a net, engaged upon some handiwork which two little girls
were watching. Close by him lay a setter, his nose between his paws.
Occasionally the man raised his eyes to scan the sea.
“There's Joel,” he said, “comin' in around the Bar. Not much air
stirrin' now!”
Then he turned to his work again.
Public-domain text, read in full here on John Shaqi.
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